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Take away the pain, unbruise, unbloody. He's about 18 months away from collecting $35 million a year of Foxbucks. What possible reason would Brady have for bringing Belichick onto his podcast and lavish this praise on him, if none of it is true? She gave me the opportunity to edit some of what I was saying because it's me talking, and it's my imagery. And then I got - and I met Brian there. Exuse me this is my room raw deal. GROSS: But did you have a stand-in or something so you could see, like, what the lighting was like and where to position it? My academic career was certainly not helped by the fact that they couldn't help me keep track of my assignments, or drop me off at school on time. So I would work from about 8 at night till 8 in the morning. And somebody sold me something that I thought was heroin, and it was fentanyl. But all through the work, it's important people understand I never ruffled the sheet or asked somebody to do something they weren't doing. GOLDIN:.. - this was a - this is a group I started of direct action, and it's true. Every time some ESPN reporter published some hatchet job loaded with factually inaccuracies, no one ever tried to verify a word of it.
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GROSS: After we take a short break, John Powers will review another documentary that's nominated for an Oscar called "All That Breathes. " The Sackler family owned Purdue Pharma, which manufactured OxyContin and marketed it with deceptive practices that helped lead to the opioid epidemic. The Audio of Brady Dunking on the Media Who Tried to Drive Him and Belichick Apart is Sweet, Sweet Music | Barstool Sports. Often, they've become part of my history. To help his post-playing career? Later, during COVID, there was a bankruptcy case where the Sacklers had shed their company of all the money and put it offshore, like $10 million - $10 billion, excuse me.
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And she lived a kind of traumatized life. And good luck at the Oscars. But I called for criminal charges against them. I will never forget the day we were instructed to draw portraits. I just wanted to hear what kind of beer the person wanted. Also with us is the film's director, Laura Poitras. So it was a real community, and that was the first few years. GOLDIN: It's the same as so many photos of my history. Laura, directing this movie, this very powerful movie about a Nan's life, how would you describe what made Nan's photos groundbreaking? And we went very deep. Exuse me this is my room raw novel. You say that when she was 1-year-old, your mother started making her speak in full sentences. They had interpersonal disagreements like every great partnership does, but they never were at odds. I'd seen him throw, so he definitely wasn't playing quarterback.
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We'll be right back. Some people will, you know, talk about, like, how it looks at the difficulty of, you know, relationships and gender - so many ways in which it's been groundbreaking for people. GROSS: I want to ask you about your sister. We were after sexy actions that the media would love. Nan Goldin, Laura Poitras, thank you. People came from the New York Review of Books because she cooked amazing lunches. And we're going to make a blizzard of prescriptions that will bury the competition. The stigma for the AIDS phobia and the stigma was incredible for people living with AIDS. Exuse me this is my room raw scans. They're about beauty, but they're also imbued with a kind of loneliness. Did you want them to look theatrical or did you want them to look just like day-to-day life? So I'm going to ask you something that is not in that category. At an ultra-white French-immersion school in a primarily white city in Canada, I was already different enough. And then after that, you ended up working at a bar in Manhattan that was run by a woman who was trying to help former sex workers get out of the business.
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It's 35 different film segments of films. And I liked the community. So we saw it as a blizzard of prescriptions and that we were the people being buried. Nan Goldin, Laura Poitras, welcome to FRESH AIR. It has not disappointed: Here are the quotes: "For me, there's nobody I'd rather be associated with. And we didn't always agree. This negative messaging did not abate as I got older. There are other situations like that that are just deeply personal. GOLDIN: First of all, I took those pictures. In retrospect, I can see that failure in athletics was less about raw ability and more about my inability to understand the rules of any sport.
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And the Guggenheim was the most beautiful. SOUNDBITE OF SONG, "WHAT MAKES A MAN"). That's genuine raw emotion. Let's get back to my interview with artist Nan Goldin, whose photographs are in museums around the world, and Laura Poitras, director of the new Oscar-nominated documentary "All The Beauty And The Bloodshed" about Goldin's life and work and her campaign to get museums and galleries to remove the Sackler name from their walls. We threw prescriptions, fake prescriptions, that had quotes from Richard Sackler and about five different prescriptions saying things like, we have to hammer on the abusers. And it was - I felt critical of the downtown art world. It was the first time I learned that I was expected to behave like everyone else, and that I was falling short at that. Now there's about a million people who have died in America from overdose since 1999 - a million people.
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GROSS: Most of the people in your group, P. N., are younger than you. I later learned that clumsiness is common in ADHD. ) Some people perceive me as too loud, talkative, irresponsible, lazy, or "out there. " CHARLES AZNAVOUR: (Singing) At night I work in a strange bar, impersonating every star. GOLDIN: I was afraid to be around a group of men, a crowd of men. And it became, you know, like untenable. We always talked about them face to face. It naturally followed that we'd soon get audio, and that it would be better than anything ever to ever emerge from the pens of a Shakespeare, a Bronte, or a Thornton. GOLDIN: Fentanyl is in all the drug supply now, and it's moving the needle on the overdose crisis, too. And if all the romantic movies I've ever seen have taught me anything, it's that the best kind of love is the kind that exists between two very different people, who somehow manage to see through their differences and find strength in the ties that bind them. GROSS: Oh, keep it that way. And in Jersey, you only had to be topless, if I have that right. And things came out that I had never told anybody. She took pictures of them at parties, at home, alone in bed or having sex.
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They looked completely dead, both of them that were on camera, Theresa and David. GROSS: And that led to using, like, many, many pills of oxy a day. GOLDIN: I don't know. SOUNDBITE OF PATTI SMITH SONG, "SMELLS LIKE TEEN SPIRIT"). I know I certainly did. I saw it through a coach's eyes. And the people in ACT UP supported my work, unlike a lot of photography that was being done showing people as AIDS victims. Experiencing double discrimination is not easy. GROSS: You got some of the doctor's notes from the mental health hospital, and one of the doctors commented that it was like the mother who should be institutionalized, not Barbara. What makes a man a man? POITRAS: Well, I mean, it absolutely wouldn't have happened without their work. And the first couple of years I worked there, I worked at night. I was fascinated by everyone.
The kind you only experience in one of the truly great love stories of our time. GOLDIN: It would have been my dream to have them in the room. And they couldn't have her in the house and sent her to a reform school in a mental hospital. I cannot count the number of times I've been at the receiving end of comments about my lack of rhythm or inability to dance. I long for knowledge. I say again, I've put more time into thinking about their relationship than I have my marriage to my own deeply loyal Irish Rose. And like Laura said, it's - the way people respond to the work is very important to me.
"I know he respected me for the job I did, and I certainly did the same. I mean, you overdosed, but you didn't die. GROSS: But you didn't realize it. I saw it as denial, and that she still wanted to keep the face up and not have it be known that my sister had died by suicide and tried to say it was an accident, which actually there were some people in the larger family who were still saying that years later. So we had that understanding.