The practical effects – the responsibility of a young Rob Bottin and uncredited Stan Winston – are the true stars as arms are eaten by chests, decapitated heads sprout legs, and bodies are elongated and stretched. Think War of the Worlds and Independence Day – those evil outer-world beings who just want to control mankind. Star Trek: The Motion Picture, the first big-screen Star Trek adventure, was an epic and existential take on the series – and one criticised for not featuring enough action. Things, as you would expect, go horribly wrong as a Xenomorph gets on board – and the hunt begins. What happened to chris and jeff on junkyard empire cast. Yet, amid the bleak dystopian setting is a remarkably heart-warming tale of an innocent, simple droid finding love with a futuristic companion, EVE. Well, that's because James Gunn's silly and irreverent take on the genre barely counts as a superhero movie at all – but a science fiction space adventure.
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Terry Gilliam's slapstick homage to George Orwell's 1984 sticks two fingers to The Man over and over, all while telling one of the wackiest stories ever committed to celluloid. John Carpenter's ultimate creature feature. Watch it once, and you'll have a bloody good time. Director Denis Villeneuve reworks the world established by Ridley Scott's 1982 original, twists it to better reflect modern quandaries – hello, bountiful misogyny! Released a full year before Neil Armstrong took one small step for mankind, 2001: A Space Odyssey took one giant leap for cinema. If you're after some family-friendly titles, there's also everything here from the original Star Wars movies and Back to the Future to a handful of Marvel flicks and Pixar's WALL-E. And, just in case you forgot, Robert De Niro shows up for one of his more low-key, somewhat baffling roles. The genre covers a lot of scope, from robots to space travel to dinosaurs, encompassing classics like Blade Runner and Jurassic Park from directing giants like Ridley Scott and Steven Spielberg to more recent releases that may have slipped under your radar like Under the Skin. As the narrative operated on several levels simultaneously, so did the filmmaking, layering metaphysical ideas with startling visuals and a grippingly propulsive narrative. Do not – and we cannot stress this enough – watch on a mobile phone or laptop. A group of Americans – including Kurt Russell's R. What happened to chris and jeff on junkyard empire ottoman. J MacReady – are stationed at an Antarctic research facility and take on an alien thing that infects blood. Ruthless and ferociously intelligent, Khan's re-emergence forces the trainee Enterprise crew to rally harder than ever before, raising the personal stakes to new highs.
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Terry Gilliam's dystopian future may be terrifying, but electric performances from both Willis and a young Brad Pitt – playing an unstable activist – makes this a thrilling watch. Where Alien was an incredible piece of horror filmmaking, Aliens takes the premise of terrifying extraterrestrial life and makes an excellent action flick that's bombastic and thoughtful. James Cameron's 1984 flick cast Arnold Schwarzenegger as the eponymous character, a cyborg sent back in time to kill Sarah Connor (Linda Hamilton) the mother of future resistance leader, John. The way the film jumps between the fight between father and son, to the ground war of Stormtroopers against the Ewoks, to the space dogfights led by Ackbar and Lando, all without feeling confusing – that's masterful editing. The producers took this to heart, as they hired Nicholas Meyer (Time After Time) to direct a feature film that doubles down on the thrills. The Abyss follows a crew of American roughnecks who are employed to help discover why a US submarine, near the Cayman trough, mysteriously sunk. What happened to chris and jeff on junkyard empire romain. The Terminator, of course, put James Cameron on the map, proving his skills at world-building, character development, and genre were exceedingly good. The Empire Strikes Back redefined what a movie sequel could do – not only does the follow-up expand the galaxy Lucas built, but, shockingly for the time, it turned out to only be the middle part of a much wider story. And really, when is Star Trek better than when it puts the crew's humanity front and centre?
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Made and set amid some of the most austere and industrially polluted Russian landscapes ever committed to celluloid, Andrei Tarkovsky's epic inquiry into freedom and faith presents an arduous journey for the spectator, but conjures up its own mystical universe with majestic conviction. Thanks to a mix of large, intricate puppets and CGI dinosaurs unlike anything the world had seen before back in 1993, the special effects feel like they haven't aged at all. This time, we follow Officer K (Ryan Gosling), a blade runner for the LAPD tasked with retiring "rogue" replicants, as he finds himself facing a conspiracy that threatens everything the world knows about bioengineered humans. Star Wars: Return of the Jedi. It's not long before the fly DNA starts to take control. From the opening scene right up until the final moments, writer-director James Gunn's love for the material is on brazen display, every frame oozing with soul. The '80s were pretty good for sci-fi movie remakes. The resistance sends her a protector in the form of Kyle Reese (Michael Biehn), who will do anything to keep her safe. Quite a phenomenal year. Conclusive proof that blockbusters can respect their audience's intelligence while also thrilling with spectacular set-pieces, Inception is a truly remarkable achievement. Or are we stuck in a simulation and being harvested for electrical energy by an alien race who have taken over earth, and only The One can save us all? Ridley Scott's horror/sci-fi mixing masterpiece centres on the crew of the Nostromo, who are sent to investigate a distress call from an abandoned alien spaceship. Guardians of the Galaxy. While Harrison Ford's performance anchors us in Ridley Scott's world, it's Rutger Hauer's Roy Batty who steals every scene.
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Luckily for us, George Lucas had plenty more story to tell. The Fly is pure body horror. Denis Villeneuve does. Upon release, behind-the-scenes difficulties overshadowed the movie's actual content and it was an initial box-office flop. And admit it, you loved the Ewoks and their yub-nub song. Director Michel Gondry's second feature collaboration with Being John Malkovich writer Charlie Kaufman is exactly what you expect from that combination of talent: a sweet, funny, heartbreaking, and maudlin wonder. There's intense paranoia as the party begins to fall apart as the infection spreads, but it's the very real, oh-so-touchable nature of the nasties at work here that's so disturbing. The second of the director's output to appear on this list, Arrival blends the arresting spectacle of alien contact with the intelligent, distinctly personal story of a linguist recruited to find a way to communicate.
A savage satire of excess (that simultaneously revels in the very same), RoboCop is as hilarious as it is heartfelt; as smart as it is filled with splatter. Blade Runner (a regular presence on all best sci-fi movies lists) uses its high concept – a man trying to work out whether other "people" are actually robots known as replicants – to deliver a deeply moving tale that asks questions of humanity in a nihilistic, synthetic, commodified universe. But this is Jonathan Glazer's point: weird shit can happen anywhere, so why not there? This is the unfortunate scenario put forth in 12 Monkeys and faced by James Cole (Bruce Willis), a survivor from a post-apocalyptic future wherein a hideous virus has ravaged the face of the planet. Plus, the visual ambiguity of Scott's direction during the final act is an absolute masterclass in 'What's that in the shadows? ' E. remains a perfect slice of storytelling, and if you still have a dry eye come the closing credits, you're officially heartless. Meanwhile, adults get a poignant fable of Cold War paranoia, where understanding and kindred spirit battled fear and suspicion for decades. Not only does E. T. come in peace, he just wants to get back home. The macabre vision of these murderous monsters at work is never anything less than true nightmare fuel. Lock him up in an asylum, of course.
Inception is a film not afraid to dream much, much bigger. A visual stunner with a longing heart to match, who knew we'd get a Blade Runner sequel as daring as its predecessor? It's no overstatement to say the original Star Wars changed cinema forever – its mix of pulpy adventure, aliens, spaceships, robots, smugglers, "hokey religions and ancient weapons" was unlike anything we'd seen before. Turns out, they've been in a relationship before, but had their memories erased following a messy breakup.
Never has that been more true than with their ninth movie, WALL-E, the story of an ordinary robot who ends up saving the human race. Set in a near-future where humanity has become completely infertile, Clive Owen plays a grizzled civil servant who gets kidnapped by his estranged wife (Julianne Moore) and charged with rescuing the last pregnant woman in Britain. Jonathan Price plays Sam Lowry, a miserable worker at the Ministry of Education desperate to break free from the shackles of a totalitarian regime.
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