Unfortunately, someone convinced them to go back to making. Get off the pot man shake and bake. This album draws the line between cracking jokes and making art. Ween - Don't Get 2 Close lyrics. In fact, I could only get over that nasty feeling and like this band once I gave a few serious listens to The Mollusk, which in my opinion is the very first album in which the band put their souls into. Ween are the most diverse bigots that the entertainment industry has ever seen. That is, why do people think this is an prog-rock album?
I Wanna Get Close To You Lyrics
The two best tracks come near the end, are easily categorizable, and couldn't be more different from each other. These two tracks have to be near the bottom of my list of favorite Ween tracks, and they take up about half of this release. By the time the last song. After moving out of the Pod Ween resumed using real drums, played 95 percent with Melchiondo behind the kit. He is envisioned as being a short man with a Napoleonic complex, with a badly deformed cleft lip. All they wanted to laugh at was the pumpkins. Ween - Don't Get 2 Close (2 My Fantasy) spanish translation. Like most Ween albums, this album is a long way from any sort of "relevancy" in the way that relevancy is applied to most bands, but for somebody like me, this is an album that just gets more and more attractive the further it drifts into the past. It's a pleasel my weasel. I PLAY IT OFF LEGIT.
Gener was tripping or something, and decided to go down to the lobby for crackers (this is all from hearsay, so expect this story to change). I called your name from a distance. The other three tracks are a lot of fun, though, so they salvage things pretty decently. The more Ween-ish tracks, like Roses Are Free and I Can't Put My Finger on It are pretty fun, especially the earlier, which is my favourite in here. Push it into systematic overdrive -. I love the way "Wayne's Pet Youngin'" absolutely tears my hair out. But shit I do it well so what the fuck. Chocolate And Cheese - 1994 Elektra*. Basically every "parody" track here reeks of that show-offy feel. I wanna get close to you lyrics. It's Brookridge Farm in Lambertville, NJ.
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The name and concept just stuck. Best song: Pretty much everything. The Mollusk is indeed a mindscrew, and it does not need any shock value. I can't put my finger on where these songs would've originated. This is an endless source of laughter to Ween. But u can find a diamond in the rough.
I didn't get the album. Or the guitar sparseness of "Cold Blows The Wind" (not to mention, when you're on the sea on a boat, the wind is really cold)? Well, all I can do is recommend that more people buy their albums. Where "You Fucked Up" put the group in full flight almost right away, the opening "Strap on That Jammy Pac" is an attempted "rousing" opening that quite literally doesn't go anywhere; the introduction ends up getting played twice, and then the song just gives up. They do speak and perform in the film (you even get glimpse of the Ween-mobile), and watch them eat mushrooms (but they're from Safeway). Go see jamaica motherfucker. Why should I rate this any lower than, say, London Calling? Chord: Don't Get 2 Close (2 My Fantasy) - Ween - tab, song lyric, sheet, guitar, ukulele | chords.vip. But I wish you'd go away. I don't like being taken for granted like that, I mean, I'm not one who thinks that simply writing a song about a child dying of meningitis is automatically "edgy". White Pepper - 2000 Elektra. When the tone of a song didn't seem like it would merit profanity, they loved to drop in just a smidge, and when the tone of a song seemed like it could merit some, they would often saturate the song with more than it could reasonably bear (and in some cases, when it seemed like some would be reasonable, they would completely avoid it). So if I choose to help you. I'm definitely not an idiot for loving the two tracks that follow it, though.
Ween Don't Get 2 Close Lyrics.Html
Disregarding all of the songs the band wrote that don't seem to have any overt humor at all, there are also a lot of songs where it's nearly impossible to figure out what genre they're working in. Rumor has it that most of the sampled copies went to Canada, so good luck getting it up there, eh? Oh brother you got shit on in the end. Ween don't get 2 close lyrics and chords. My ma bought me a cool shirt. I suppose there are some relative duds; the remix of "Friends" is less Euro-trashy and thus less fun than on The Friends EP, for instance. I could keep going but that would inevitably lead to namechecking everything, so I won't (a special mention definitely needs to be given to "Hippy Smell, " on the reissue, if only for the great moment of, "Well you know I got somethin' to tell ya, you wouldn't wanna be alive in the 60s/and you would've probably gotten your little hippy ass killed or something/You little shit-face").
Album, and it also left me very puzzled and frustrated. That's right: it's basically a fart joke. As somebody who's come to love Ween and love this album, of course, I'm very happy with how all of the strange elements of the album come together, but I'm not at all convinced anymore that this is an ideal way to try and get people into the group. Don't take a trip to you soon. Ween don't get 2 close lyrics clean. Why would he be such fuckers? Mean played bass for Ween on the song "Alone" of the Pod. And they came across this little a big, big head.
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Yes, the band spent a lot of time early on dabbling in hardcore punk, and did a whole album of country, and did an elaborate homage to 70s prog rock, but while those may be what the band is best known for (and in many cases some of their best loved work) they shouldn't completely overshadow all of the songs where the only possible identity is "A Ween song. Not "comically stupid", but "too stupid to be comic". This is every bit as essential to a Ween collection as The Mollusk, and I would recommend it to just about anybody. What's going on with the fucked jam? "So Many People in the Neighborhood" starts off sounding like something from Pure Guava but with better production, then inexplicably turns into what I guess is a late-period Tom Waits imitation, then turns back into Pure Guava... man, reviewing this album in track-by-track form leads to some strange descriptions. Dude's hounding this bitch. Only Ween would even think of writing a honky-tonk song with lines like "For the last six months I've been packing your bags/You can wash my balls with a warm wet rag/'Til my balls feel smooth and soft like silk/I'm sick of your mouth and your 2% milk, " and while it's oh so easy to condemn the song for a lot of reasons, it's so shamelessly over-the-top that I can't help but love it and sing along to it happily.
He tours with Ween when he can get time off from work (he works at the pork roll factory). Bands on this album, other than a few tracks. LOVING U THRU IT ALL. Why did they pick the name White Pepper? Ironic that it's one of the more "normal" songs on here.
Ween Don't Get 2 Close Lyrics
"I Got to Put the Hammer Down" is another song in a genre I don't normally care about, but I absolutely love this song; the lyrics (I guess they're about being a big-wig with a drug habit) are hilariously sleazy, and the nasty guitar part in the last minute meshes very well with the synth-y foundation. The bulk of "Polka Dot Tail" is probably the weakest stretch of the album (it's just sooo... awkward), but the deep, echoey guitar breaks, all forceful yet sounding like they're coming from underwater, are enough to save the track. Line between cracking jokes and making art. You just get it on the "solo" part, which might as well be made by a white noise machine (in a good way). "Captain" is just one repeated sentence in the lyrics ("Captain, turn around and take me home"), apart from a low-pitched unintelligible vocal in the middle, but the nature of the music allows the band to wrangle an incredible amount of resonance out of the phrase; the steady backing pattern, mostly covered in noisy but atmospheric guitar, then dominated at the end by a rousing keyboard sound, gives the track and sense and unity that would be hard to come by from the other elements. But "Molly" nearly grinds to a halt every time they start saying the title repeatedly, "Awesome Sound" is a ridiculous throwaway, "Laura" goes way too long for a track at that pace and with that vocal effect, and "Boing" makes no impression at all, and when all of these tracks (good and bad) are strung in a row it makes for an incredibly unpleasant listening experience (even though, again, most of this material is quite fine). While "Don't Get 2 Close" is an obvious highlight pick, though, the album has quite a few other songs that, if they're not classics, possibly could have seemed more so in another context (if not with better production, then in a context where not everything else also had that same production).
The other "clear influence" tracks are all tons of fun; "Bananas and Blow" is another great example of Ween writing a song that feels like it should have been around forever but that only Ween was tasteless enough to write, "Stroker Ace" shows again that Dean could have stood up to any metal guitarist in the world in sheer speedy chops, and "Pandy Fackler" nails the Steely Dan vibe and musical approach so precisely that it's kinda terrifying. It might seem odd for Ween to like ELP, but if Ween's career had shown anything to this point, it's that they liked everything, and if somebody tries to look for mockery (other than the usual gentle tweaking) in this song they'll come up empty. Best song: Gabrielle or Monique The Freak. For better or worse, no matter how one feels about the song (magnificent, silly, magnificently silly, whatever) or the genre, I think it would be difficult to argue against the notion that "You Fucked Up" absolutely nails the essence of hardcore punk, only with that essence getting an injection of HGH. Inaudible ranting for a bit). Ween does not invite you to laugh, nor do they dare you to laugh. I think you're a dick. Then enjoy nothing but (sounds like "share and progress"). Like, okay, it seems really bizarre and weird and chaotic, but can you imagine "Freedom of '76" immediately after "Take Me Away"? Take Me Away, Freedom of '76, etc., all suffer from that "legitimate = genius" syndrome. Pure Guava - 1992 Elektra. If you're a serious Ween fan, there's no excuse not to have heard the five or so best numbers on the album, and it's worth picking this album up to get them. Is better than it seems.
Psychedelia then gives way to its close relative, Eastern mysticism, in the glorious "Flutes of Chi, " where Dean's guitar suddenly takes on a quintessential 60s hippie tone, and where the standard instrumentation mixes with some Eastern instruments and combines another extraordinary melody with lyrics that feel like a perfect embodiment of late-60s "I'm high as hell and this book of Chinese proverbs is really speaking to me" lyrical approaches (I like those approaches, mind you). Throughout the ages of time. Naturally, this ended up a bit as an album without a clear fanbase; country fans would have plenty of reason to sneer at it, and fans of Ween from the beginning would have felt incredibly confused and maybe even kinda betrayed. When u think it's all smooth.
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