And she wanted to be a part of that. Tiffany Ruby Patterson, Historian: Oof, Mason, ah, was a handful. On July 25th 1933, Hurston submitted an application for a fellowship focused on "anthropology" to continue the work she had begun in New Orleans. Daphne Lamothe, Literary Scholar: Black people understood themselves to be creators of culture and art and literature, and make important contributions to how American society understood, thought about and related to Black people in America. Narrator: She had once written to her friend, the poet Countee Cullen, complaining about the "regular grind at Barnard": "Don't be surprised to hear that I have suddenly taken to the woods. A Raisin in the Sun streaming: where to watch online. Zora (VO): I am getting on in the conjure splendidly. Narrator: Hurston again looked to the Guggenheim Foundation for support.
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Charles King, Political Scientist: She's playing a drum. One of the ministers remarked, "the Miami paper said she died poor. I have wanted the training very keenly and tried very hard to get Mrs. Mason to do it for me. Irma McClaurin, Anthropologist: It's also the period of time where she's falsely accused of having improper relations with a minor. Half of a yellow sun film review. Eve Dunbar, Literary Scholar: That is what she modeled very early, and what the discipline at that point wasn't ready for. They played it well too. Carla Kaplan, Literary Scholar: When it came to needing to be popular, or get extra things, she let the fellow students in her class see her as special, and even exotic. Irma McClaurin, Anthropologist: I think anthropology hasn't acknowledged her enough, not only for her writing style, but also the fact that she put herself into that ethnographic landscape: how she impacts, how she's impacted, how people see her as well as what she's collecting. She also had a motion picture camera, a rare and expensive tool for anthropologists, that would allow her to capture scenes of rural Black life.
Zora (VO): I hurried back to Eatonville because I knew that the town was full of material and that I could get it without hurt, harm, or danger. "No, they had never heard of anything like that around there. It's a world of politics. Narrator: In Spring 1940, Zora Neale Hurston, the celebrated Harlem Renaissance writer and anthropologist, arrived in Beaufort, South Carolina to study religious trances. It was a case of "make it and take it. Carla Kaplan, Literary Scholar: It was an enormous disappointment for her—one of the heartbreaks of her life. Half of a yellow sun streaming vostfr. The acting, costumes, sets and story are all very fine. Eve Dunbar, Literary Scholar: People cite her letter to the editor where she disparages Brown versus the Board of Education as retrograde, as anti-Black.
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I found out later that it was not because I had no talents for research, but because I did not have the right approach. I know where to look and how. Pianos living three lifetimes in one. Charles King, Political Scientist: Florida, in the Jim Crow era, was the heart of darkness. Half of a yellow sun movie. That's what anthropologists do. By the time Their Eyes Were Watching God was published in 1937, the Harlem Renaissance had really kind of reached its peak and was on the wane.
She is outspoken, and she also likes to be the center of attention. At Howard, she was recognized. Irma McClaurin, Anthropologist: Zora is collecting what she thinks Mason wants to see, and she's also collecting what she wants to get. All your senses need to be engaged in this beautiful creation. I have had people say to me, why don't you go and take a master's or a doctor's degree in Anthropology since you love it so much? At Hurston's insistence, a camera crew documented the services. Work all day for money, fight all night for love.
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She liked having people of color around her. You might also likeSee More. And he literally snatches materials, her belongings, out of the fire and hangs on to them. I not only want to present the material with all the life and color of my people, I want to leave no loop-holes for the scientific crowd to rend and tear us. Ah shack-er-lack-er-lack-er-lack-er-lack-er-lack-er-lack! Daphne Lamothe, Literary Scholar: When it comes to Haiti and Jamaica, the Caribbean space, she is very much an outsider. IIrma McClaurin, Anthropologist: Zora studied her own people, which is not something that is supported in anthropology at that moment. She left us her vision of the legitimacy of Black people as a people, as a culture.
But she understood that just having proximity to White people did not make Black people smarter, better, more valuable, we needed equality and equity, and financial support. Hurston's translation of rural Black experiences into literature so impressed Johnson that he suggested that the young woman join the flourishing literary scene in New York. And that was super sophisticated. By May 1919 she was a high school graduate ready to enroll in Howard University. Eve Dunbar, Literary Scholar: Everybody is really excited about what it might mean to be able to slough off that Old Negro, who is the product of enslavement. Mason was a profoundly anti-academic person. The kind of Christmas that my half-starved child-hood painted. It was the time for sitting on porches beside the road. Zora (VO): I went about asking, in carefully accented Barnardese, "Pardon me, but do you know any folk-tales or folk-songs? Zora (VO): It seemed that I had suffered a sea change. Narrator: When Charles S. Johnson, editor of Opportunity: A Journal of Negro Life, the influential publication of the National Urban League, invited Hurston in 1924 to submit work, she sent a joyful, day-in-the-life short story that drew from her own childhood.
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She looks like a Black Annie Oakley. María Eugenia Cotera, Modern Thought Scholar: Folks began to respond to her, and even repeat back verses of Langston Hughes's poetry to her. Carla Kaplan, Literary Scholar: There were very few Black women with doctorates of any kind in the 1930s. She could have gone, studied those courses and everything and gotten a Ph. She feels like she can go in and tell a story about that religion that is free of the sensationalism. The Daily News advised, "The fascinating Zora Neale Hurston, " is "too good to miss. Narrator: By evening's end, Hurston also had met and impressed two influential women who would support her academic goals.
Irma McClaurin, Anthropologist: She is flamboyant. Narrator: Boas landed at Columbia University. Fannie Hurst, one of the nation's most successful writers, sought out Hurston after the event to hire her as personal secretary. Irma McClaurin, Anthropologist: She alienated a lot of people. She's still desperately trying to get enough money to continue her work, and it's slipping through her fingers. Lee D. Baker, Anthropologist: Franz Boas had a good eye for talent, and he didn't care if they were Black, white, women, male, or the like. Narrator: An unexpected encounter with Langston Hughes in Mobile, Alabama in July brightened Hurston's mood.
Her book Mules and Men would soon be published. Hurston had hoped for a teaching position in Florida that did not materialize. Carla Kaplan, Literary Scholar: He's a very important voice. At the time, this seemed scandalous—that you weren't standing off to one side with your white lab coat and your clipboard, noting down what others were doing. Lee D. Baker, Anthropologist: Much of the impetus for cultural anthropology, ethnography was called "salvage ethnography. Hurston was collecting folklore to demonstrate the legitimacy and the sophistication of Black vernacular, Black folk life, of African American rural culture. Lee D. Baker, Anthropologist: She was using this contemporary poetry that was written up in New York, bringing it down south and then the the southern folkloric tradition would take it, turn it up on its head and make it anew, and so she was documenting how folklore and culture was actually being created in front of her eyes. I don't want anything but to get at my work with the least possible trouble. A quality film doesn't have to have a big budget to be great. Narrator: Collecting did not go as planned for one of the newest members of the American Folk-Lore Society.
Why didn't I try over there? " You can buy "A Raisin in the Sun" on Apple TV, Amazon Video, Google Play Movies, YouTube, Microsoft Store, DIRECTV, AMC on Demand, Vudu as download or rent it on Apple TV, Amazon Video, Google Play Movies, YouTube, Vudu, Microsoft Store, DIRECTV, AMC on Demand online. The experience that I had under you was a splendid foundation. Eve Dunbar, Literary Scholar: That idea of the new Negro sweeps the ethos of the black imaginary, the exciting condition of black people, who are by virtue of the Great Migration moving from the rural south to urban centers—Chicago, New York, Philadelphia—moving up and participating in the 20th century revolution of modernity. And so you just watch what happens to Black women who almost always live in precarity in this society. So I was hiding out.
María Eugenia Cotera, Modern Thought Scholar: A lot of times, anthropologists didn't actually even visit the places that they were writing about, or know the people that they were writing about.
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