So yes, this album feels a bit like an anti-climax, and has the feel of Ween working at 85% effectiveness, but an 85% effective Ween is just fine by me. I can see where this album might have disappointed fans who'd come on board with The Mollusk, and I can also see where this album might have disappointed fans who hoped that a return to a "brown" sound literally meant a return to the approaches of earlier albums, but for me this album hits a pretty nice sweet spot between the old and the new. Go see jamaica motherfucker. Push th' little daisies and make em come up (x7). Throughout the ages of time. Ween - Don't Get 2 Close lyrics. Another good example of the album's preferred vein of humor comes in "Powder Blue, " a rather subdued, minimalist number that culminates in a chance to introduce some of the guest performers and give them a brief chance to stand out.
Ween Don't Get 2 Close Lyrics Clean
Is Chocolate Town about anal sex? "Alcan Road" almost sounds like something I'd expect to hear on a Steve Hackett solo album (though Steve would have developed it beyond just the static background/processed vocals and probably would have added a fast part), and finally "The Argus" goes from a downbeat moody ballad with artsy lyrics into an upbeat number with a surprising amount of beauty and intricate interplay in the second half. When I'm wet with truth. This certainly isn't like other live albums (not yet reviewed, but I'll get to them) where the band would make "L. P. " over half an hour long or other such things. Sonny - it ain't all milk and honey. And finally, "She Wanted to Leave" brings the ELP aspects full circle; the vocals and lyrics are big and pompous (about betrayal by a woman long cared for), but the music lives up to them, and I definitely feel a strong emotional surge in me during the final vocals over the big orchestral keyboard swell. Never sit alone on a hot sticky noon. The two pumpkins looked at the little man and they said, Why, why would he be such a, why would he be such a jerk? Any less fun because of that. The "story" of the lyrics goes nowhere, of course, but somehow the quiet silly banality (it's impossible for me not to smirk a little bit after a while at the melodrama of the phrase "Fluffy on the porch") of the lyrics loops around and becomes poigniant, giving a quiet majesty to the proceedings. And isn't discomfort the very essence of art? Sorry to disappoint all the Richard smokers, but they are not. T have long hair anymore. Ween don't get 2 close lyrics.html. The mid-song guitar solo is really fun, too, featuring a tone I wouldn't normally expect to hear in this context.
I Wanna Get Close To You Lyrics
And as for "Waving My Dick in the Wind, " well, it wouldn't be a Ween album without some dick jokes, and I like the track. The genre hopping on Ween albums always strikes me as Ween deciding to record a song in some genre just because they think it would be a lot of fun, and then proceeding to make something great. Is the picture in the insert the afore mentioned Pod? He's on the cover of the Pod. I guess it's borderline psychedelic in the vocal effects, but it's so chill and yet so on edge in the rest, and the bizarre spoken part that constitutes the "chorus" is nearly impossible to forget once you've heard it. At an attempt to not seem ironic the band has since claimed that "12" represents the number of musicians that appear on the record, but this simply an easy cop-out. Ween don't get 2 close lyrics clean. Yup, if there's a reason that The Pod is better suited for listening to in snippets or in single tracks when your iPod is on shuffle, it would be these songs. And I know that things will pass. Gener said nothin' and continued to weep. Don't make this one of your first five Ween purchases, but if you think you're a Ween fan, it's essential for you to hear this. The reprise of the opener, then, done slowly and mournfully as if played by a jack-in-the-box that needs its battery changed, is a perfect way to the end the album; it's a genuinely funny gag that doesn't need any dick jokes. Later on i'll fuck her. What kind of guitars do they play?
Ween Don't Get 2 Close Lyrics.Html
Maybe I'm an idiot for laughing at it, but I can't help myself. Is better than it seems. And I say that with a bit of a mea culpa because I've been there before... when I was about 17. It's a nine mile walk. Firstly, they tackle a series of pretty diverse genres that they grew up with, and make it sound simulateneously legitimate and humourous. Chord: Don't Get 2 Close (2 My Fantasy) - Ween - tab, song lyric, sheet, guitar, ukulele | chords.vip. Ween's career is interesting to me for reasons that go far beyond humor, and these deserve some mention (they'll also tend to get mentioned in the actual album reviews). One of the things you could say about Transdermal Celebration is that its fake-profound lyrical phrases are satire or parody of some of prog rock's more pompous lyrical tendencies. Froggy in the meadow under the log. I love the way the violent guitar noises in the breaks of "Tick" have a sort of swirling feel that mimics the tumult described as the tick spirals around the drain in the toilet. And the pumpkins, the pumpkins went further into the woods. The other "clear influence" tracks are all tons of fun; "Bananas and Blow" is another great example of Ween writing a song that feels like it should have been around forever but that only Ween was tasteless enough to write, "Stroker Ace" shows again that Dean could have stood up to any metal guitarist in the world in sheer speedy chops, and "Pandy Fackler" nails the Steely Dan vibe and musical approach so precisely that it's kinda terrifying.
Ween Don't Get 2 Close Lyrics
Yes, as long as the particular concert venue allows it. "Fluffy, " then, makes for a fitting and stirring conclusion. The noisy mid-section of "Voodoo Lady, " in particular, gets stretched out much further than before, and the borderline New-Wave approach of "I'll Be Your Jonny on the Spot" gets exchanged for metallic riffage and extended soloing. Lest you think that all such instances of musical humor are sophisticated and don't belong in a conversation about Ween's use of the ridiculous and absurd, consider this: the 4th movement of Beethoven's 2nd symphony was generally understood, upon its release, as a thinly veiled joke about Beethoven's problems with his gastro-intestinal tract. It's pretty sad when one is completely amazed by the MOST BASIC values of any comedy form. The opening couple of minutes are bit of directionless hippy rambling, but once the bongos pick up the pace, leading into those great noisy discordant riffs, which in turn become a launching pad for incredible noise, I'm happy as can be. Ween don't get 2 close 2 my fantasy lyrics. Where did they come from? Like, okay, it seems really bizarre and weird and chaotic, but can you imagine "Freedom of '76" immediately after "Take Me Away"? And the songs, melodies, hooks and whatever on this album are also genius. As for the other two, well, they're not among Ween's peaks, but I'm glad they're here. Subsequently they started messing around with home recording, and formed Ween basically to make recordings to amuse their friends and themselves. Am] Don't get too close to [G]my [F]fantasy.
Apparently Deaner got it off of his sister's ballet dancing record. What's going on with the fucked jam? The Ween genius is making the song sound so tight as to not be comic, lampooning, etc. I'd tell them to listen to this album. Ween's contributions to the development of 90s rock are negligible if we want to be generous, and aside from a couple of songs here and there that kinda sorta incorporated some influences from what was going on around them, they didn't really let 90s music contribute to them. It's called the "I Can't Put My Finger On It Intro. " There's something good to be said for the blaring noise of "Mourning Glory" and the silly groove of the closing "Poop Ship Destroyer" too, even if I'm conscious the whole time that they're completely ridiculous. Sterling Shaw () (03/13/13). Ween - Don't Get 2 Close (2 My Fantasy) spanish translation. Best song: whatever. You know why nobody else could do a song like Spinal Meningitis?
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