16 "Left Behind" similarly engages a politicized critique of power structures through its text while simultaneously being sonically playful ("Nikki Nikki Nack"/ "We said we wouldn't let 'em take our soil/ These days don't it just make your blood boil"). Lose another one, I say give me your head. NO WOOD IN THE WOOD STALK. "Water Fountain Lyrics. Water Fountain Lyrics TUnE-yArDs( TUnE yArDs ) ※ Mojim.com. " On the podcast Song Exploder, Merrill Garbus describes part of the inspiration behind the lyrics being political Conservatism and its not supporting paying taxes for the public good. We would do well to first pause over two texts that assign a more important identity-forming function to these social dynamics than is typically acknowledged.
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Tune-Yards - sketchy. This is the lead single for tUnE-yArDs 'Nikki Nack' album, released online March 18th 2014. Garbus often brainstorms songwriting ideas whilst walking by the lake. Your fist clenched my neck we're neck and neck... No phone in the phone booth. Water fountain lyrics tune yards piano. Nothing much to do when you're going nowhere (Do it till you disappear). 18 Garbus raps an MIA-infused refrain, "Don't beat up on my body, " which is laid on top of a sixteen-pulse time-point pattern and is one of the more overt adoptions of the yanvalu rhythm she studied in Haiti in preparation of Nikki Nack. This clap-along tune was released as the first single from her third album Nikki Nack. After a crazed, no-questions-asked MegaMix of her new album, Tune-Yards has shared the first track from 'Nikki Nack'. I find it plausible that this technique—common in EDM and featured on other tracks such as "Water Fountain" and "Time of Dark"—is at least partly the new producers' voices coming out.
By 2200 A. D., they had reached the other planets of our solar system. No water in the water fountain. A blood-soaked dollar. Ethically and technologically they were a million years ahead of humankind, for in unlocking the mysteries of nature they had conquered even their baser selves, and when in the course of eons they had abolished sickness and insanity, crime and all injustice, they turned, still in high benevolence, upwards towards space. Although well known by (ethno)musicologists, the musical practices and sounds of the pygmies are much more obscure to the average consumer of popular music. Tune-Yards Taps Into Drought to Make 'Water Fountain. Garbus reveals, "["Water Fountain"] is about my anxiety over the collapse of our societal infrastructure and the lack of drinkable water. When he had enough of them, he bought himself a cherry pie.
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We're neck and neck and neck…. The authoritative record of NPR's programming is the audio record. This item is not eligible for PASS discount. Send me anything, make me ship as wise. So listen to the words I say, baby. 'Water Fountain' is the sound of maddening ideas boiling to the surface.
PASS: Unlimited access to over 1 million arrangements for every instrument, genre & skill level Start Your Free Month. I'll give a thing to caress. From her days in Putney, Vermont at the Sunglass Theater improvising outlandish scenarios with her homemade hand puppets to her travels to Lamu, Kenya studying taarab, human engagement across borders and ages has served as her principal catalyst for creativity. Nothing much to do when you′re going nowhere. Garbus currently lives in Oakland, and even in the days before the arrival of notoriety, she likely faced fewer financial and social obstacles than the majority of those around her. Yet this is exactly what Garbus and bassist/collaborator Nate Brenner have in mind for their project, tUnE-yArDs, as they write songs that are machinic, sporadic, and at times frightening, yet simultaneously warm, exuberant, and carefree. Water Fountain by tUnE-yArDs - Songfacts. No use in fighting back. Drink deep from "Water Fountain, " though, and you're liable to detect a little arsenic.
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Lines like "If you just press your fingers down under my skin (go on and do it)/Lift up, dig up, dig up and bleed for me/I say, I'll bleed if you ask me/I'll bleed if you ask me/That's when, that's when, he said no" thematize victimization, perhaps of a sexual nature, while reversing normative gender performativity. Phoneless phonebooths, two-pound chicken dinners, and cherry pies procured with blood money: Welcome once again to the weird world of Merrill Garbus' tUnE-yArDs. And I know where to find you.
We′re neck and neck and neck... No phone in the phone booth. Life without your water is a burning hell. Sorry for the inconvenience. "Real Thing" drips with sarcasm as it addresses unrealistic ideals of body type ("While you worry about chest size six/They're winning the tricks/those tricks, those tricks, oh" and "Ugly one be you, who you are"), as well as maintaining a celebrity persona. Much attention was given to w h o k i l l's singles, "Bizness" and "Gangsta. " Roughly four months after its release, Garbus revealed her process of "improvised recording" in an interview with the Dedicated Ears music blog's Tony Rusniak. Water fountain lyrics tune yards las vegas. Kim Kardashian Doja Cat Iggy Azalea Anya Taylor-Joy Jamie Lee Curtis Natalie Portman Henry Cavill Millie Bobby Brown Tom Hiddleston Keanu Reeves. Accompanied by a video akin to a tribal, dance-infused, pastel-colored episode of Pee-Wee's Playhouse, Brenner's simple, ostinato bass line holds up syncopated choral exclamations that create a sense of levity and repetitive motion.
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These contradictions have played a role in transforming the duo—along with their small, backing saxophone ensemble—from coffee-shop and record-store heroes to Arcade Fire tourmates. Anything make me s*** nice. 2 With a snare drum on her left, a floor tom on her right, a ukulele at hand, and electronic toys such as the Boss RC-2 looping pedal, Garbus embarked on a national tour of her own design, eventually catching the ear of 4AD. See Merril Garbus, "Merrill Garbus (Tune-Yards) Talks Haiti and Exploring a Non-Western Musical Tradition, " The Talkhouse: Musicians Talk Music" 1 June 2013, accessed 5 May 2014, - 15 The reference to gender construction may be somewhat of a response to Chuck Klosterman's 2012 dismissive review of w h o k i l l in which he negligently and egregiously conflates androgyny and asexuality. Nikki Nack is also more lyrically dense than its precursors, but the additional text has little effect on the songs' messages or meanings.
Embellishing sixteenths in beat three of every other iteration of these lyrics mimic the kind of flagrant jeering that asserts dominance. The same tone permeates "Time of Dark, " an open, mixed-meter groove that uses the verse-chorus form to great effect. I cannot get the spot out but it's okay. 26 Brighton, Concorde 2 *. Your fist clenched my neck, we're neck in neck and neck, and neck, and neck. On sale Friday 21st March at 9am. As ethnomusicologist Steven Feld pointed out in "Pygmy POP: A Genealogy of Schizophonic Mimesis, " the commodification of pygmy field recordings, through their reinterpretation in pop and art music, creates a series of unintended histories for the performance practices of Central African forest nomads. Say give me your head.
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Use the citation below to add these lyrics to your bibliography: Style: MLA Chicago APA. Your fingers in my hair. "I was having a lot of anxiety about water in my own community, where there has been a huge drought, " Garbus told Billboard magazine. In times long past, this planet was the home of a mighty, noble race of beings who called themselves the Krell. You will ride the whip. Sound like a floral bouquet.
Hey hey hey hey hey. I cannot get the spot out but it's OK, it still works in the store. See Chuck Klosterman, "The Pitfalls of Indie Fame: On tUnE-yArDs and the Perils of Critical Adoration, " 27 January 2012, accessed 2 May 2014,. Give me a dress, give me a press, I give a thing a caress. After a childlike teasing ("NAH-nah, nah, NAH-nah"/"nah, nah, nah, nah, NAH-nah") intoned by a small choir, Garbus pointedly speaks solo: "The worst thing about living a lie is just wondering when they'll find out. " 0 This is evidenced in an interview given at the 2011 Pitchfork Music Festival where Garbus notes, "I think that what's been important to me is just to talk about it and talk about the fact that it is complicated to be a white girl who grew up in an upper-middle class household, with many privileges, a university education, you know, taking this music from cultures that I really know nothing about. " "Nothing feels like dying like the drying of my skin and lawn, " Garbus sings early on; soon, she finds herself with a fist around her neck. 'Nikki Nack' is released on 6th May through 4AD. The songstress contributes $1 from every ticket sold on tour to the fund, as well as a portion of revenue from sales and licensing of Nikki Nack. No wood in the wood stalk. By couching a pointed critique of the nation's collective attitude on the support of popular music and the acceptance of "alternative" lifestyles in the putative innocence and ignorance of children's song, Garbus's message remains effective in its opacity, plasticity, and multidimensionality.
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However Garbus told NME; "The songs aren't about anything. 4 Sasha Frere-Jones, "World of Wonder: How Merril Garbus Left the Theatre and Took the Stage, " The New Yorker, May 2, 2011, accessed 1 May 2014, /arts/critics/musical/2011/05/02/110502crmu_music_frerejones. 02 Bristol, Trinity *. A vertigo round-and-round-and-round. 14 One particularly robust illustration of Garbus's tendency to focus on the childhood games of girls can be found in a YouTube clip embedded in a log of her trip to Haiti, which is posted on the website, The Talkhouse. "Water is going to be a big source of conflict in the world.
SONGLYRICS just got interactive. 01 Leeds, Cockpit *. The spontaneity of individual and communal expression is rarely captured adequately in the pop format, and if successful attempts can be located they are typically far removed from the use of musique concrète, electronic percussion loops, disjunct melodies, and lyrical non-sequiturs. To express alterity through a reinterpretation of the local—of adult, urban, African-American cultural signifiers—could potentially be considered a disingenuous and exploitative measure. We're naked naked naked naked naked. Whatcha doin" there. United Planets Cruiser C57D, now more than a year out from Earth Base on a special mission to the planetary system of the great main-sequence star Altair. Created Dec 24, 2013.
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Get your unlimited access PASS! 18 Dan Weiss, "tUnE-yArDs Uses her Lungs, " The Village Voice, 7 May 2014, accessed 1 May 2014,. You'll sledge the hammer if there′s no one else to take the flak. TUnE-yArDs Concert Setlists & Tour Dates. Stuff me up with your home grown rice. They're all over the place.
Se pou zanmi zwen, se pou zanmi zwen.
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