I greatly appreciate all the help I have gotten from guys on this forum,, and want to give back some way..... i hope this helps. Generally, the edge of the second reed is staggered below the first reed of a call. This is a displacement gauge, you can buy them with various mounting options, but this one had a mounting configuration as i mounted it to the side of my block.... The one weakness of this system is that you cannot control the stretch of the reeds as well as you can with a press/jig. Just fine, saves money. News: GUESTS ARE WELCOME TO REGISTER TO THE FORUM!!! I bought a jig from Ricky Bishop for around $60 called the "lil Jiggy" and it came with enough material to make 20 calls. Taping: Choose the color of tape that you would like the finished call to have. Lil jiggy turkey call building jig for sale online. Pull on the tape and reed and stretch the reed very slightly (the stretch can vary as much as you like, but remember, the tighter you stretch the latex, the higher the pitch of the call will be). If you guys dont mind, check out some of my other videos on my you tube channel and subscribe. I finally gave making my own mouth calls a try. This method of call making allows you, the individual, to customize each call you make to your own preferences. I'm not wanting to get into call making for others, just for personal use. Personally, the kids frames are too small for me, the medium frames a little too big, and the small frames just about right.
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The most often mentioned supplier is Pioneer, but there are others as well. Again, add backstretch if desired. After doing quite a bit of research on diaphragm call presses and jigs, I decided to just make my own.... If you are making the call just for yourself, the best thing to do is to try the call without any cuts first, to see what it sounds like.
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The deeper the cuts (to a point), the raspier the sound generally will be. Next, fold the small tab end of the frame up over the top of the frame and tap this down flat against the call. Reed Stretching: The first step is taping the reed materials to your call making surface in the arrangement you desire. Always begin by cutting only the top/longest reed of the call. • Stagger the reeds at different distances apart to see what that does to the sound. Lil jiggy turkey call building jia yi. Lay your first reed down flat on the board and, using a small piece of scotch tape, tape one of the short edges down flat, putting just enough tape along the edge of the reed to grasp it. Here are a few video links that may help with understanding some of the basics for those who haven't seen them: Good links to show the process. You can make excellent calls using this method, but it is not as precise as press/jig call making. I use a pill bottle lid as a template but there are lots of ways you can cut the tape to your liking. Take the frame and place the front edge of the frame at the crease and push down flat into the adhesive. 003 colors, and a couple of.
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The color is added in the batch of latex when made, and the qualities of the batch can impact the sound qualities of the latex. All about turkey calling + News, techniques, routines, advice, etc.. Post Reply. You can put the latex in whatever order and numbers you wish. Generally speaking, the thinner the latex used in the call construction, the easier a call is to use for most mouth call users.
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Have to contact him on Facebook or by email. In this method of call making, you can actually cut the material in half lengthwise if you want to save material. Depth of the cuts is up to you. Thanks in advance for the help. • call making surface.... a flat, smooth, sanitary surface that scotch tape will stick to. I then painted it, just for looks, and mounted my gauge, and my toggle clamps..... i cut down some aluminum angle and mounted it to the toggle then cut receiving grooves into the blocks for the clamps to seat the latex in. Long, but hopefully anybody that is interested can wade through it. Lil jiggy turkey call jig for sale. Order your materials first. I would advise you to start conservatively with your cuts to see what kinds of sounds you are creating with each cut you add to the call.
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Without removing the protective paper on the adhesive side of the tape, fold the tape in the middle (adhesive sides toward each other) and crease it with your fingers so that the center cut-out folds over to create the open area where the latex reeds will sit in the tape. Unfold the tape and carefully pull the protective paper back on one side of the fold only. Cutting: Calls have any number of sounds that can be created by the use of cuts in the reeds. The reed material comes in varying thicknesses and colors. For anybody that decides they want to participate in this exercise, get the stuff above and then we can get into the call-making process.... I had a broken drafting square laying around and cut it to use here for the latex to lay on while the blocks are required an 1/8" notching on both blocks, when the latex begins to stretch the plastic comes out. Frame setting: After you have stretched and taped your reeds down, the next step in the process is to set the reeds in the frame.
If I was to suggest a reed material order, I would order a couple of proph colors, a couple of.
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