Kardasz, Magda and Rees, Simon, High Tide: New Currents in art from Australia and New Zealand, Zacheta National Gallery of Art, Warsaw, 2006, pp. Alternative Realities tour, Wang Fun Art Gallery, Beijing, China. Lady penelope doll to buy. Her solo museum survey exhibitions ComCiência at CCBB toured to São Paulo, Brasília, Rio De Janeiro and Belo Horizonte in Brazil and was named the most popular contemporary art exhibition in 2016 by The Art Newspaper. Thomas Macho, Das Schwein, Agora 42, 44424, pp.
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Millner, Jacqueline, Afterword: Perspective on Perspecta in Martin Thomas (ed. ) Delany, Max, Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, Melbourne, 2005, pp. Michael, Linda, One Night Love (exhibition catalogue), Tolarno Galleries, Melbourne. Millner, Jacqueline, Love in the Time of Intelligent Machines, Artlink, Vol 21 no 4, 2002, p. 42-47. 179/180, 2002, p. 136. This Wild Song, Town Hall Gallery, Hawthorn, Melbourne, Australia. Arts Development grant, Arts Victoria. Lucy doll and penelope kay. Breathblooms and Lighthavens, Tolarno Galleries, Melbourne, Australia. Papastergiadis, Nikos, One Night Love, Object, no.
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Lifetime Acheivement Award, Melbourne Art Foundation. Plastiche (Curator), The Basement Project, Melbourne, Australia. Anonda Bell, Mirror Mirror, Paul Robeson Galleries, Rutgers Uni, 2018, pp. The Exodus of Ordinary, Vivian Gallery, Warkworth, New Zealand. Consciousness, Kibla Portal, Kibla, Slovenia. All the Better to See you with, Fairy Tales Transformed, Ian Potter Gallery, Universty of Melbourne, Parkville, Australia. Marc Wellmann, BIOS Concepts of Life in Contemporary Sculpture, George Kolbe Museum, 2012, Cover, pp. Lucy doll and penelope kayak. The Liquid Medium:Video Art, Queensland Art Gallery, Brisbane, Australia. Life (Death Thereafter), Silvershot, Melbourne, Australia.
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Swell, Screen Space, Melbourne, Australia. Clabburn, Anna, There's Something in Nothing Natural, Mesh, no. City Screens, Melbourne International Festival, Melbourne, Australia. Sheen, Adelaide Festival, Adelaide, Australia.
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Beautiful Beast, The New York Academy of Art, New York, USA. Supernatural, Kunsthalle Tubingen, Tubingen, Germany. Green, Charles, Patricia Piccinini, Artforum, 44318, p. 194. Warne-Smith, Drew, Up Next: Patricia Piccinini, The Weekend Australia Magazine, March 14-15, 2009, p. 7. Neo-Goth: Back In Black, University of Queensland Art Museum, Brisbane, Australia. Hong-Hee, Kim, Kwangju Biennial, Flash Art, Summer 2000, p. 100.
Patricia Piccinini, Scott Lawrie Gallery, Auckland, New Zealand. The Melbourne Magazine, Fitzroy Series - CCP, The Age, 40756, p 72. In 2016 she was awarded a Doctor of Visual and Performing Arts (Honora Causa) from the Victorian College of the Arts and appointed as Enterprise Professor at the Victorian College of the Arts, University of Melbourne. Somerville has always attracted budding writers. Michael, Linda, Patricia Piccinini: Still life with Stem Cells in 'Monash University Collection: Three Decades of Collecting', Monash University Museum of Art, Melbourne, 2003, p. 113. Structures of Support, Canberra Museum and Gallery, Canberra, Australia. Art Gallery of New South Wales, Sydney, Australia. ARTificial Life, Artspace, Auckland, New Zealand. Bloodline: The Evolution of Form, McClain Gallery, Houston, USA. Supercharged, Institute of Modern Art, travelling exhibition until June 2008, Brisbane, Australia. Alternative Realities tour, Tamsui Centre of Arre, Tamsui, Taiwan. Bourke, Gregory, Bloom: Mutation, Toxicity and the Sublime (exhibition catalogue), Govett Brewster Art Gallery, 2004. Car Nuggets, Arts Victoria, Melbourne, Australia.
Evelyn Tsitas, My Monster, RMIT Gallery, Melbourne, 2018, p. 54. Andererseits: die phantastik, Landesmuseum, Linz, Austria. We feel, conceive or reason, laugh or weep, Hosfelt Gallery, San Francisco, USA. My work aims to shift the way that people look at the world around them and question their assumptions about the relationships they have with the world. 'Photo Files: An Australian Photography Reader', Power Institute and ACP, Sydney, 1999, pp.
Her work encompasses sculpture, photography, video and drawing and her practice examines the increasingly nebulous boundary between the artificial and the natural as it appears in contemporary culture and ideas. Gibson, Ross, Written with Darkness (exhibition catalogue), University of Technology, Sydney. Malene Breusch Hansen, Researchers Wildest Tools, Bonnier Publications Int, 2016, p. 93. High Tide, Contemporary Art Centre, Vilnius, Lithuania. Concepts of Life in Contemporary Sculpture, Georg Kolb Museum, Berlin, Germany. Long Live Photography!, Museum of Contemporary Art, Sydney, Australia. Nature vs Nurture, FaMa Gallery, Verona, Italy. Hill, Peter, Cameras, Lies and Photographic Exhibits, The Bulletin, 18-Sep-1996, p. 100. Hennessey, Peter, Patricia Piccinini: Installations in 'What is Installation?