David Remnick, the editor of The New Yorker, is joined by the magazine's award-winning writers in a weekly hour of radio that will both delight and inform. What started on two public radio stations is now heard on 400 across the U. S. The On Being podcast has been downloaded and played over 350 million times. Ambassador to West Germany. Peabody Award-winning host Krista Tippett presents a live, in-person recording of the wildly popular On Being podcast, featuring guest speaker Isabel Wilkerson. Use our searchable list below to find your favorite show or click here to check out our full weekly schedule. Stories We Tell: "Judaism has a deep and rich tradition of storytelling, of passing down stories from one generation to the next. Peabody award winning radio show about spirituality of gratitude. Covering artists such as Jackie McLean, Charles Mingus, and Nina…. D is an internationally known meditation teacher and author of bestselling Radical Acceptance and True Refuge.
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PRX Remix features the best stories, conversations, experimental audio and podcasts handpicked from independent creators. An upbeat and lively public radio show about language examined through family, history, and culture.
Peabody award winning radio show about spirituality a qualitative. In recognition that people within queer communities are often pushed out of their spiritual or religious faith in order to affirm their identity, this podcast seeks to hold space for the ways in which both identities can coexist and inform each other. Journalism, Podcast, Theology. The things that go wrong for us become part of our gifts to the world. BBC Heart and Soul: "Personal approaches to spirituality from around the world. " Sound Opinions is where people who love music can come together for smart and engaging music criticism and conversation.
Follow this link to learn more about Tech Tent, and to find episodes of the…. And a variety of top publications count Gross among the country's leading interviewers. Top 5 Picks this Season. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.
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Selected Shorts connects you to the world with a rich diversity of voices from literature, film, theater, and comedy. \ On Being: Krista Tippett with Isabel Wilkerson—In-Person & Online. Each week on Sound Opinions, veteran rock critics Greg Kot and Jim DeRogatis interview artists, talk about pop culture and music industry news, review new record releases and give trends a historical context. KCPW and The Salt Lake Tribune present a fresh way for Utahns to process the headlines. Krista is the author of "Speaking of Faith: Why Religion Matters" and "Einstein's God: Conversations About Science and the Human Spirit. Health issues and medical breakthroughs from around the world.
Music, comedy, and conversation, live and packed with surprises. From local politics, to arts and culture, to history, the environment and beyond, "In the Hive" explores the issues and ideas that tie Utah together. The show's series on Muslim culture, "Inside Islam: Dialogues and Debates, " won a Brass Crescent Award in 2009 for its blog and a Gabriel Award in 2011 for "Muslims, Mosques, and American Identity, "... Though Fresh Air has been categorized as a "talk show, " it hardly fits the mold. The half-hour program focuses on just one or two stories each weekday, offering listeners a deep, textured portrait of the characters and human…. Every Saturday, host Brent Bambury brings you provocative stories, opinionated columnists and humorous guests. Peabody award winning radio show about spirituality in music. To learn more and to schedule a free 30-minute call with Eric, visit. The Takeaway with Melissa Harris-Perry is America's weekday conversation. We intend this audience to include other scholars, clergy members and any one else who has an interest in religion.
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Tippett grew up in a small town in Oklahoma, attended Brown University, became a journalist and diplomat in Cold War Berlin, and later received a Master of Divinity from Yale University. Rick Hanson has a podcast with his son, Forest, call BEING WELL. If you enjoyed this conversation with Krista Tippett on Being Human, you might also enjoy these other episodes: The program airs every Wednesday at 10 AM and Saturday at 9 AM. Hosted by Georges Collinet, the show is devoted to the music of Africa and the African diaspora and bridges continents and cultures through the power of pop, telling some of the most important stories of our time along…. I found myself drawn again and again to the East, where so much more was at stake, and life and mind felt more passionate and vital. From Deutsche Welle (DW), Germany's international broadcaster, which….
Wilkerson won the Pulitzer Prize for Feature Writing in 1994, as Chicago Bureau Chief of the New York Times, making her the first African American woman to win a Pulitzer Prize in journalism. Get $10 off any order of $20 or more, by entering "FEED" at checkout. As It Happens is the evening current affairs program the Canadian Broadcasting Corporation. Join our host Sarah Kift, as she interviews theologians, writers, leaders, and people living with mental health challenges. Left, Right & Center is KCRW's weekly civilized yet provocative confrontation over politics, policy and pop culture. Live Wire brings riveting, underrepresented voices to the stage for hilarious, heartbreaking, unexpected, and honest conversations.
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Christopher Kimball's Milk Street Radio travels the world to discover how food and cooking are changing lives and cultures, from $13, 500 melons in Japan and computer-generated cookie recipes to the home cooking of Ina Garten and Egyptian fast food in Berlin. A few of my favorite episodes: The Trauma Therapist with Guy Macpherson has interviews with a wide-ranging list of trauma specialists and topics related to understanding and healing trauma. From the home of the World Service's language services, host Faranak Amidi takes a weekly tour of the 5th floor in the BBC's New Broadcasting House, London, to reveal a new perspective on the stories of the week and uncovers surprising, insightful and sometimes outlandish stories. The Hinckley Institute Radio Hour is a weekly program featuring forums on local, national, and international issues important to people living in Utah. Part-time New Orleans resident Harry Shearer hosts a look at the worlds of media, politics, cyberspace, sports and show business while providing an eclectic array of music along the way. Krista Tippett's radio show and podcast, On Being, aims to offer the same validity to the subjects of religion and spirituality as we do politics and economics. If you need help with or are looking for support in working with your thoughts, emotions, and behaviors, check out The One You Feed Coaching Program.
From their website: Presented by The Knowledge Center at Chaddock, Attachment Theory in Action is a weekly podcast featuring national experts from the field of attachment and trauma. Hosted by Krista Tippett. " The show features discussions about radical leftist politics and history, highlighting perspectives often excluded from mainstream Jewish spaces. There are places in human experience that politics cannot analyze or address, and they are among our raw, essential, heart-breaking, and life-giving realities.
"I've never been able to appreciate any of his films, nor even understand them... These audacious innovations were all on display in his debut, Breathless (1960). And there's Frankie Dymon, the Black Power advocate in the film, being prompted and having statements fed to him …. Introducing TIME's Women of the Year 2023. I don't think you should feel about a movie. Remembering Godard –. He tries to answer questions others might take as insults. The title is one of Godard's famous puns (puns for the filmmaker being, indeed, a most serious business), as it could mean either 'Stories of Cinema' or 'History of Cinema'; depending on whether you add the 's' or not.
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The late Jean-Luc Godard (1930-1922) is undoubtedly best known for his first feature film, BREATHLESS, which he made in 1959. You can't make a good picture. They are coming from social practice. Where to Start with Jean-Luc Godard. I find his films affected, intellectual, self-obsessed and, as cinema, without interest and frankly dull... He understood that the modernism of the cinema was based in the archeology of its history—and that devotion to the history of the cinema was a blend of passive rapture and actively audacious manipulation. You can visit New York Times Crossword January 14 2023 Answers. We will have to be reborn, open our eyes and cinema, and learn the lessons. The triumph of Godard's longtime friend Francois Truffaut at the 1959 Cannes festival with THE 400 BLOWS had announced to the world the cinematic sea change effected by a group of critics-turned-filmmakers already known in France by the journalistic label of la nouvelle vague, the New Wave.
Isn't there a similarity between the two characters in Weekend who wander off on their trip to the mother's home and the two characters in Pierrot le Fou. Therefore it is our duty to always react and re-act, rethink everything, always reimagine everything. What about your idea of using television as much as possible now? John Lennon recently replied to your comments about the Beatles' not doing anything politically …. They have felt constructed, faux intellectual and completely dead. Word seen at the end of many jean-luc godard movies.yahoo.com. And again we're going to try to make some money to make some small films. Why did you have to kill those animals?
It was not done because animals are animals compared with human beings; it's just that if I had killed a human being I would have been put in jail. But I still think it's a theoretical gun and I'll keep to this definition. Word seen at the end of many jean-luc godard movies.yahoo. I'll protect myself better next time, that's all. And believe me, I gave it a third chance, I put it with the commentary on, with Godard's number-one fan talking, maybe he'd tell me things I couldn't see but he actually confirmed my suspicion, in every shot, it was "Godard did", "Godard defied", "Godard changed". If Paul is truly a vehicle of Godard's own morals, then Léaud was a very interesting choice considering he also served as Truffaut's autobiographical character in the Antoine Doinel series of films. Well, let's see if it's complicated. There's just a duration.
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To feel inadequate in the face of a Jean-Luc Godard film marks us as human. 113 out of 151 found this helpful. You have to talk about it afterwards. A man and a woman (Héloise Godet and Kamel Abdeli, a dead ringer for Serge Gainsbourg) discuss the elusive nature of equality; some of these pronouncements are made while the guy sits on the can. Godard often said this was a film about France, which is seen in the richness of blues, whites and reds. And that death, because it's located in a very Christian, Catholic sense of experience, makes that film an extraordinary emotional spiritual height. Maybe in ten years it will be different, but that's the situation today. "The Greeks gave us logic. JEAN-LUC GODARD: EVERYTHING IS CINEMA. With Masculin féminin, you are able to get an understanding of Godard's radical side while still enjoying an engaging story. Drawn to the cinema clubs that flourished in Paris in the aftermath of the war, Godard made friends with fellow cinephiles Jacques Rivette, Eric Rohmer, Claude Chabrol and François Truffaut. So where is there to go now?
They are what they are, what I was at that time. Fonda is a co-conspirator with the filmmakers, slyly tweaking her own offscreen activities. Yes, because I was an idealist, and the idea of death relating to love and things like that is not completely fascist maybe, but if you get too much involved in that, you are going in the wrong direction. You do have to build some cars. Godard's diehard disciples see it not just as a metaphor for Europe – a ship of aging malcontents adrift in their own history – but as a manifesto for a "new republic of images", free from the dead hand of corporate ownership and intellectual property laws. "Visually ravishing… filled with sensuous pleasures. Word seen at the end of many jean-luc godard movies like. Well, what kind of questions was she being asked? — one finds ones self in undiscovered territory, and the chances of losing the way in the capitalist woods with only little red books in the basket are great. Put to a vote, only twenty persons decided to walk out. And that's a parameter you wouldn't ignore unless you're wrapped up in a huge ego. For all his bombast, verbal and formal, Godard was also surprisingly delicate. And then it was very natural.
Maybe this is easier for people who have nothing to do than for those who have something to do. I couldn't do anything else. "Godard's late films are still the work of a wry, frisky mind, as bounteous as BREATHLESS with visual and verbal puns. Their long hair isn't necessarily related to hippieness.
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The past is yet to come. They are forgetting about the scientific experiment, and I'm trying not to do that. It is larger in scope and feels like the work of a master who has honed their skill. "No film has been at once so connected to all that had come before it and yet so liberating. These colours are accentuated throughout, from the characters' clothing to props and lighting. I suspect I thought I was now past him, more mature and sophisticated than his hipness or penchant for aphorisms and quotations. Maybe when I was doing Weekend I was that way, but not any longer. Godard's DNA continues to flow through contemporary cinema, from Martin Scorsese's Casino (1995) to Greta Gerwig's Frances Ha (2012). A lot of what you're saying sounds to me extremely suicidal.
But, without Godard, that pastiche wouldn't exist. A dense work of twitchy brilliance. " Godard was not universally revered however; some of his sharpest critics included the late Swedish director Ingmar Bergman, himself a trailblazer in European cinema who is perhaps best known for his 1957 films "The Seventh Seal" and "Wild Strawberries". Along with fellow filmmakers such as Francois Truffaut and Agnes Varda, Godard spearheaded an entire movement and arguably changed the trajectory of the artform. Can the written word, no matter how artfully deployed, truly be used to inform the image or does doing so skew things so completely as to make the entire process irrelevant? "With its rich, layered storytelling, FILM SOCIALISME is, in its broadest sense, about nothing less than the history, present and future of Western civilization, up to and including internet videos of cats. Is he, at 80, just getting it out there – like putting his film on YouTube? It's a machine that morphs the colliding meanings of words and objects with dazzling speed, and generates an astonishing array of metaphors, paradoxes, digressions, and, above all, dialectical relationships, between idea and action, word and image, sound and picture, interior and exterior, microcosm and macrocosm. His films took new approach to sex, violence and more.
It's also worth noting that, according to biographer Richard Brody, the avowedly anti-capitalist Godard made two commercials for Nike in the early 1990s. But Frankie Dymon too? Indeed, his films became public confessions and self-flagellations, but they were executed so effervescently, so inventively, so cleverly - with such a flamboyant and youthful sense of freedom - that they were most often received by critics and viewers as virtuosic displays of experimental gamesmanship. At the end of Weekend, the Yippies are shown to be cannibals. Shot in 3D—Godard used the technology more innovatively than almost any other modern-day practitioner—the meditative collage Goodbye to Language, from 2014, reflects on the purpose, and the possible erosion, of human language. Godard's fingerprints can be found throughout his oeuvre with numerous qualities that make his work identifiable and unique. The Godard sitting before me in a Paris flat, wearing a T-shirt so tight it gives him the air of a bristly, bespectacled Buddha awoken from his afternoon nap, is so much more human, so much more childlike than the legend.
That's why, when I have the money, I'm trying to make two pictures with other people for every one picture of my own. In honour of his iconic, legendary and ever-influential career, this is Where to Start with Jean-Luc Godard. One of the points, too, was that Eve Democracy was walking in a lush green field and the Black people were in a junkyard. To continue to draw from art, we need to keep faith in our own humility. And there was a girl in the woods. And he had a wonderful knack of summing up the essence of his cinema in short, sharp phrases: A story should have a beginning, a middle and an end, but not necessarily in that order. The new music could be the beginning of a revolution, but it isn't. "Starts out as a documentary on sex work and ends as a Monogram B movie. Let's remember what you've seen. "Should be seen by everyone interested in movies or in life, without hesitation or delay. " It's just gone further in its own direction and needs to find the right allies. I'd like to see John Lennon play Trotsky in a film.
A highly personal yet exuberant refraction of the American film noir, BREATHLESS was gaudily emblazoned with its technical audacity as well as with Godard's own artistic, literary, and cinematic enthusiasm. And that rewatching, whether it was on your own or following Godard's own paths, was wildly rewarding. They are not bothered by the fact that it's a fascist form.