Explores the significance of homosexuality to the Gothic tradition. Which excerpt best exemplifies the gothic literary style 2. Jekyll rather feebly suggests at one point that, if he had been in a different frame of mind when he first took the drug, the second self thus released might have been very different: the prospect of an alternative Hyde, constructed of sweetness and light, is attractive but perhaps somewhat unrealistic. And there is no doubt that these were infinitely more terrible. They operate on the level of metaphor or analogy.
- Which excerpt best exemplifies the gothic literary style 2
- Which excerpt best exemplifies the gothic literary style.fr
- Which excerpt best exemplifies the gothic literary style of communication
Which Excerpt Best Exemplifies The Gothic Literary Style 2
For the reasons enumerated, ancestral portraits often appear in tales involving family curses. The Recess, in effect, reintroduced the genre of the English historical romance, which had lain dormant since Thomas Leland's Longsword of 1762, and in so doing not only stimulated the composition of a host of novels along similar lines but helped to form public taste for the more popular and radical genre that was to captivate English readers in the last decade of the eighteenth century: the Gothic. For instance, slave uprisings in St. Domingue at the end of the eighteenth century and in America during the antebellum period, as epitomized by the figure of Nat Turner, were turned into tales of gothic terror. I hold it no good mark; 'Tis wicked in the sun and moon, And bad luck in the dark! One would presumably not argue that Macbeth is rendered contemptible by the appearance of the Ghost of Banquo (), or Hamlet by the appearance of the Ghost of Hamlet's Father ( and v), or Julius Caesar by the appearance of the Ghost of Caesar in Brutus's tent (). Which excerpt best exemplifies the gothic literary style of communication. Nor is this desire to marry all three of her suitors the only sign of Lucy's suspect character. Jackson's very first story, "Janice" (1938; C) already starts the pattern.
Jacobs authenticates her own incredible imprisonment with a narrative of horrifying fact rather than a fictional tale. Your Tommyknockers were real enough, but they were mortal, and this ship has been here for at least fifty million years. According to the text, he "shiver[s] as if recovering from a swoon" and then demands of Sybil, "Did I strike you? " Why do our hearts thus throb before inanimate canvas? But his attempts to reinvoke this condition are tired, perhaps with the natural fatigue of accomplished paradox, perhaps because of the lack of bite in the social fears on which he plays. Science-Fiction Studies, no. Quoted from Sollier, Les phénomènes d'Autoscopie, Paris, 1913. The humour in this passage is, surely, a little sardonic. Knowing that the jewels are still hidden in the house, Gregory waits ten years until he can marry the niece who has inherited the house. Which excerpt best exemplifies the gothic literary style.fr. ᶿαμΠσζ is in Greek, either fear or wonder; δεινσζ is terrible or respectable; αιδεω, to reverence or to fear. Which set of teacher comments would be most productive? Punter, The Literature of Terror (London: Longman, 1980), 52.
Moers, Ellen, Literary Women (London: Women's Press, 1978). She wore little trunks of purple satin and nothing else but a gold armlet around the expanse of her upper arm—a brilliant stroke, a rather Egyptian, goddess-like adornment calling to mind one of those frightening and horrifying fertility goddesses with swollen bodies and timeless eyes and the same engulfing infinitely absorbing quality Osella radiated now. In this sense the story embodies in the most literal way a trait I have described in the weird tale: the refashioning of reality. Or, will X, who, we know, did not commit the crime, manage to demonstrate his or her innocence? In Gothic Fictions: Prohibition/Transgression, edited and with an afterword by Kenneth W. Graham, pp. It is important to note that Child sentimentalized Jacob's ending. From a college girl by mrs. george de horne vaizey). A comparison between Dracula and Bowen's Court will, therefore, bring out those elements of psychological Gothic in Stoker's novel that most definitely call for an interpretation within an Anglo-Irish cultural context—so far, those elements have received scant attention. In all these cases there seems to be a morbid degree of sensibility, with which this symptom is ready to ally itself, and which, though inaccurate as a medical definition, may be held sufficiently descriptive of one character of the various kinds of disorder with which this painful symptom may be found allied. The problem with Todorov's definition is that most texts do actually commit themselves about the event; thus very few texts that we normally think of as fantastic end up qualifying as such by Todorov's definition. The team is headed by Bill, the King, who "actuated Rhynwick Williams to the commission of his monstrous practices" and "also took Hadfield in tow, by means of magnetic impregnations, and compelled him to fire his Pistol at his Majesty in the Theatre. Freud takes particular interest in the complex textual issues of the case—the contradictions between the pictures and the painter's verbal accounts of them, the inconsistencies within the diary itself, the variations in wording of the patient's two written pacts with the devil, the compiler's attempts at textual reconciliation, and so on.
Which Excerpt Best Exemplifies The Gothic Literary Style.Fr
"6 But twenty-five years later he himself found uses for the supernatural by following his own advice and connecting it "at a hundred points to the common objects of life"—and so did his "fellow" (if we can so call them) romancers. These themes run throughout Klein's work; but see, e. g., "Some Theoretical Conclusions Regarding the Emotional Life of the Infant, " in Envy and Gratitude, pp. Carol Iannone claims Morrison's use of the gothic marks her lack of seriousness: "The graphic descriptions of physical humiliation begin to grow sensationalistic, and the gradual unfolding of secret horror has an unmistakably Gothic dimension which soon comes to seem merely lurid, designed to arouse and entertain" ("Toni Morrison's Career, " 63). Robert Louis Stevenson, Rudyard Kipling, H. Rider Haggard, Arthur Conan Doyle, and (in his early works) H. Wells are the best-known figures of this new movement, along with Arthur Machen, Algernon Blackwood, and Andrew Lang, several of whom also wrote manifestos for the critical journals in favor of romance. Several other stories speak of the peculiar vulnerability of people on vacation, away from their friends and their familiar environment. I was never sorry when I had thoughts like this; I only wished they would come true. But any hopes that firm insights may be gained from the long overdue historicist placing of Dracula in its Irish context were soon dispelled, as the ideological controversies inherent in Irish studies were quickly imported into the novel's interpretation. —He beheld his child dashed to pieces, and almost buried under an enormous helmet, an hundred times more large than any casque ever made for human being, and shaded with a proportionable quantity of black feathers.
This crude and obvious story is fueled by nothing but hatred, to the point that Jackson's artistry completely forsakes her. In my opinion psychoanalysis has been quite shy of moving into the field of cultural diagnosis. In "The Demon Lover" Mrs. Drover becomes dislocated in time, slipping from World War II back to World War I, where she waits feverishly for the arrival of her long-dead fiancé. 1. air 2. opening 3. mephitic 4. cavern 5. pure 6. atmosphere. She feels that I am quite certainly a genius, perhaps indeed the very Devil. 8 By equating witnessing these scenes with experiencing them, Grimké makes the effect coextensive with the event, thereby establishing her authority. Than tread upon these three! In one case, when I had succeeded—though not very quickly—in restoring a girl to health after many years of sickness, I heard this myself from the girl's mother long after her recovery.
It is this category which seems to Frankenstein to hold no interest; to supplant it he turns to the two extremes, to the so-called "metaphysical" and to chronic introspection. Gothic literature has influenced and inspired several subgenres of literature, including the supernatural tale, the ghost story, horror fiction, and vampire literature. When "it arrived within a few yards of the window, she saw the figures of the postillions and the persons inside take the ghastly appearance of skeletons, and other hideous figures. " Janet Todd, 'Diane Johnson, ' in Janet Todd (ed. But most of the text itself takes the form of a deathbed nar rative told by an ailing scientist trying to explain away his own obsessive dream as a form of demonic possession. I believe that ideas about separating, purifying, demarcating and punishing transgressions have as their main function to impose system on an inherently untidy experience. Given their other errors, this is entirely conceivable. Alfred A. Knopf, N. Y., 1926. Barker presents one unusual variation in his short story, "Down, Satan! He is a kind and good man, free from any crime that would haunt him with remorse.
Which Excerpt Best Exemplifies The Gothic Literary Style Of Communication
She reads up in Pinel and the German alienists, and helps out at a local asylum. Monkton's belief in the legend which threatens the end of his race, and thus his domestic happiness, is used as evidence for, or a 'symptom' of, hereditary insanity. More specifically, could the psychology they betray also help us locate Dracula in recognizable Irish cultural formations? The gentlewoman/heroine as worker transgresses the code of propriety, yet so long as she labours in secrecy, remaining within the genteel space defined by the magical walls of the home, her character is preserved from the judgement of the world. Compare this information with information you have researched about a twenty-first century hardware invention, how this has changed lives, and how the workers who create the hardware are impacted. Valente reads those shifting alliances as yet another sign of Dracula's fundamental ambivalence: "Just as the Draculas seem to have allied themselves with all manner of opposing parties in the Balkan wars, so Dracula's own subject position aligns him with various constituencies in the debate and struggle over Ireland" (59). I do not thank you for a life like this! For the best survey of degenerationist thought see Daniel Pick, Faces of Degeneration: A European Disorder, c. 1848–c. By letting us hear Count Dracula's tales of past glory, Stoker well may have caught the essential tone of the declining society of the Big House. The title character of Byron's first verse drama, Manfred (1817), is a quintessential Byronic hero: consumed by his own sense of guilt for an incestuous relationship with his sister, Astarte, he finally seeks peace through his own death. Whatever the truth of the situation, the wicked earl's behaviour has left a legacy of rumour and scandal which blights the happiness of his son. This work sparked popular interest, and a deluge of vampire stories followed, most prominently Varney the Vampyre. Stone, The Family, Sex and Marriage in England, 1500–1800 (Harmondsworth: Penguin, 1990), 29, 28-9.
This apparition was all the more frightening, because it "was enveloped in grave-clothes closely pinned, as is usual with corpses, round the head and under the chin. " Or is it your ghost? " Which sentence provides the best supporting evidence for the claim? A curse can bring the tenth to the eighteenth or nineteenth century. In her analysis of the connection between the Gothic and the African American experience—particularly in such works as Harriet Jacobs's Incidents in the Life of a Slave Girl (1861) and Frederick Douglass's Narrative of the Life of Frederick Douglass (1845)—, Teresa A. Goddu asserts that "a focus on slavery, America's most glaring cultural contradiction, shows how it produced gothic narratives during the antebellum period and how these narratives reproduced the scene of slavery. " —He roused himself, he could not believe it possible—the dead rise again! A very peculiar tale, "The House", was reprinted in Life among the Savages—but not all of it. By making the reader enter his narrative of slavery through the conventions of the gothic, Douglass discloses how the spectacle of slavery is mediated and structured generically. Feminist critics point out the unusual prevalence of strong female characters in Gothic novels, and the way their independent and often sexual behavior was harshly criticized by contemporaries of the novels. He thought of employing his own hand to free the world from such a wretch; but death, he remembered, had been already mocked. In the last twenty years of the century, an intense debate developed between those who sought to shore up the old crumbling distinctions and those demanding change—nontraditional women, homosexuals, socialists, some artists and intellectuals, a few scientists, working-class men who had acquired some education.
This is owing to several causes, but it is owing to none more than this, that this ocean is an object of no small terror. When the mythical criminal Oedipus blinds himself, this is merely a mitigated form of the penalty of castration, the only one that befits him according to the lex talionis. The Life of Robert Louis Stevenson, Charles Scribner's Sons, N. Y., 1901. "'In Respect to Females': Differences in the Portrayals of Women by Male and Female Narrators. " Like William Godwin's Adventures of Caleb Williams or like Melmoth, Justified Sinner, Frankenstein, Wuthering Heights, and many other gothic tales, Carmilla represents a narrator's attempt to recover from a disordered state—a condition that not only is often physically debilitating but proves to be psychologically crippling as well. §"William Wilson" (short story) 1840.
New York: Cambridge Univ. For him, 'the family, the keystone of alliance, was the germ of all the misfortunes of sex' (Foucault, III). The household moves to Venice. Let us add something of a general nature, which is, strictly speaking, already contained in what we have previously said about animism and the superannuated workings of our mental apparatus, but seems to call for special emphasis. Leslie Fiedler, Love and Death in the American Novel, rev. At this time a wave of interest in spiritualistic charlatanry, mediumism, Hindoo theosophy, and such matters, much like that of the present day, was flourishing; so that the number of weird tales with a "psychic" or pseudoscientific basis became very considerable.