"Cultural Crossfire", The Santa Fe New Mexican (October 14, 2001. "We all have a right to express ourselves, whether we agree with an image or not, " López says. It makes me sad that this has been a divisive issue especially along gender lines, to see brothers and sisters fighting, and to see politicians trying to use this as an excuse to cut funds in art and education. Berkeley, Los Angeles: University of California Press. The cult of the Virgen de Guadalupe dates back to the 1531 apparition of a young woman to an indigenous peasant near what is now Mexico City. For those that are standing up and vociferously voicing their opinion that … this is free speech, (that's) their right also. " Without a doubt, Our Lady of Controversy is an important volume in Chicana visual cultural studies. Guilt-ridden, she was made to believe it was she who had precipitated her own rape. Lee, Morgan '"Our Lady" Will Stay at Museum', Albuquerque Journal (May 23) 2001: A1. This essay brings together a number of the issues discussed in previous essays, including the decolonisation of the Virgin and the importance of revision and recovery in art. Artist talk by painter Alma Lopez, 2011. Queering the Sacred: Love as Oppositional Consciousness in Alma Lopez's Visual Art (Clara Roman-Odio). Of what happened to me.
Our Lady Of Mexico
"Does the museum have the right to exhibit this art? Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition. The image symbolically refers to women's. "Our Lady & Censorship, " Conscience: The News Journal of Catholic Opinion Spring 2003 (Available digitally at Our Lady of Controversy. She stands on a bare-chested. Book Description Soft Cover. The latest controversy centers on Lopez's digital photo collage "Our Lady, " which depicts the Virgin of Guadalupe clad only in flowers and held aloft by a bare-breasted female angel. Lastly, the volume performs an insightful and detailed discursive analysis of the controversy over López's art itself, looking very closely at the local context in which the controversy unfolded. Columbia University, 2004. The collection opens with López's original press statement, "The Artist of Our Lady (April 2, 2001). " The essays in the collection operate under a chiastic structure, a form of wordplay in which words or phrases are reversed, causing an inversion of ideas and arguments. More gay and lesbian events. CyberArte is scheduled through October 28, 2001, and features four contemporary Chicana/Latina/Hispana artists who combine traditional "folk" elements with current computer technology. COLUMN OF THE AMERICAS.
This piece was highly controversial because people believed that it was an indecent way of depicting La Virgen, it caused protests and rallies against the piece. Montoya, Margaret "Un/braiding Stories About Law, Sexuality and Morality, " UCLA: Chicano-Latino Law Review, Volume 24 Spring 2003. The "offending" work, "Our Lady" is a photo-based digital print on exhibition in a museum, and not an object of devotion in a church. Special thanks to every person who wrote beautiful and affirming emails and letters of support. Lee, Morgan 'Heritage Stirred Into Debate Over "Our Lady"', Albuquerque Journal (April 16) 2001: A1. The image immediately provoked a strong reaction, galvanising protests led by Catholic authorities in Santa Fe.
Critics, including Roman Catholic Archbishop Michael Sheehan, have called the piece insulting and sacrilegious and called for its removal from the museum. However, a Lopez mural showing clearly queer imagery did result in religiously inspired hate and intolerance, right here in liberal San Francisco. Devil in a Rose Bikini: The Second Coming of Our Lady in Santa Fe (Alicia Gaspar de Alba). For López, the Madonna's image had been elevated to that of "revolutionary activist.
Our Lady By Alma Lopez.Com
Shown throughout California since 1999, "Our Lady" has sparked no outrage, protests or prayer vigils in this state. I am forced to wonder how men like Mr. Villegas and the Archbishop are looking at my work that they feel it is "blasphemy" and "the devil. " Her body is beautiful, brown and strong like the earth. "An exceptionally important and powerful collection of essays, opening new interpretive paths and new tools for the activist-scholar-student. Data złożenia artykułu: 2017-04-20 14:23:12. I think that people were upset because the Virgen was able to walk. Censorship infringes on our rights to choose to see images. New Mexico Archbishop Michael J. Sheehan has joined him, calling the artwork sacrilegious. "
Alma López is an artist, activist, and visual storyteller originally from Los Mochis, Sinaloa, Mexico. Physical description. Of her own body, she began to do nude modeling at UCLA. Walking in her predecessor's footprints, she's still surprised by the reaction the image caused. Many, including myself, feel that there is nothing anyone can do to change how the original image of the Virgen de Guadalupe is generally perceived. Yet, through all the political movements she participated. In particular, Luz Calvo ("Art Comes for the Archbishop", ) and Clara Román-Odio ("Queering the Sacred") provide astute close readings of López's visual imagery. To Lopez, the positive part of the controversy is that it's created a national discussion about who owns religious and culturally specific images. Although, there are people like Mr. Villegas who are offended by the "Our Lady" digital print, not everyone agrees that it should be removed. As well as providing in-depth and well-balanced discussions and interrogations of the controversy in Santa Fe, the collection indicates the necessity for further debate in relation to the treatment and reception of women and the female form in radical and revisionist art. Proud of her heritage, she became politically active at a young age. Her essay elucidates the rationale behind the exhibition and the issues of identity, politics and culture that played out over the course of the protests in Santa Fe.
The picketers came soon after. Calvo, Luz "Art Comes for the Archbishop: The Semiotics of Contemporary Chicana Feminism, " Meridians: feminism, race transnationalism, Volume 5, Number 1, 2004. It's Not about the Santa in My Fe, but about the Santa Fe in My Santa (Alma López). Alma López' webgallery. "Do Chicanas have the right to use this image they grew up with? " I see nurturing breasts. The threatening emails claimed to be from a Christian group and are currently being investigated as a homophobic hate crime by the San Francisco Human Rights Commission and the Hate Crimes Unit of the San Francisco Police Department, according to La Galería's Jaime Cortez. She also offers the following warning: "Censorship hurts everyone. Something else raging: a desire for justice in a world that hungers for it.
Our Lady Of Guadalupe Mexico Website
Does the church have the right to stop artists from using this image? THE BODY OF THE SACRED FEMININE. Her image was miraculously imprinted on the visionary's poncho and is still revered by millions in the Cathedral of Guadalupe. Additionally, many black-and-white images of López's work are spread liberally throughout the chapters, each engaging a different set of her visual art. Kusel, D. "Virgen is About Divisions, Not Art", The Santa Fe New Mexican (April 22) 2001. In, she was always silent about her rape. Chicana feminist cultural work—such as the art of Alma López, performances by Selena Quintanilla, and writings by Sandra Cisneros and John Rechy—expand the queer and Chicana identifications and desires, and contest narrow, patriarchal nationalisms.
This is Lent, a time of devotion between Ash Wednesday and Easter. "From Serrano to Ofili to Lopez" Flash Art Magazine (August-September), 2001. Alma Lopez Los Angeles - April 2, 2001. Xii, 322 p., [8] p. of plates: ill. (some col. ); 24 cm.
Lopez views her work as part of a long Chicana tradition. Who is this man to tell me what to think and relate to her? While ostensibly a narrow topic, Gaspar de Alba, López, and their contributors prove that all of the fuss over this single image resonates over much larger terrain, invoking philosophical and practical concerns ranging from the rights of artists, religious and spiritual expression, the representation of queer sexuality, and the state of feminism within the Chicano and Hispanic communities. In Northern New Mexico because Los Angeles artist Alma Lopez depicted her. They are not churches or sites of spiritual devotion. Speech and a sacred symbol is a woman who when asked if she has ever doubted. The controversial piece is part of Cyber Arte: Where Tradition Meets Technology (through October 28, 2001), an exhibition featuring computer-inspired work by contemporary Hispana/Chicana/Latina artists, who combine elements traditionally defined as "folk" with current computer technology to create a new aesthetic. Edited by Christopher Hawthorne and Andras Szanto.
Kathleen Fitzcallaghan Jones ("The War of the Roses") takes a wide lens, situating the controversy in both local and national politics.
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