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The album takes a long time to get into, I'll admit, but it's no surprise. The album's title and cover relate to the closing track of the original album, in which the singers state that "we are volunteers of America. We Can Be Together Lyrics by Jefferson Airplane. " This is a fundamental conflict, they seem to be saying, not some mere misunderstanding. After Jefferson Airplane. We are obscene, lawless, hideous, dangerous, dirty, violent… and young.
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'Lather' is especially scary, sending shivers down my back while Grace tells the story of an ageing hippie set to various spooky sound effects; 'Greasy Heart' has some strong singing, too, this time Grace takes on a more angry, vicious tone, like in 'Somebody To Love'. He also named the song after Mama Cass. ) Many people may also recognize the refrain from when Krist Novoselic sneered it in the intro to Nirvana's "Territorial Pissings. We should be together jefferson airplane lyrics. Whether you like it or not, it's inarguably the heaviest thing to bear the Jefferson Airplane moniker, and that alone deserves a listen or two. When that band's short career ended, Paul began popping up at Hot Tuna shows, and in 1988 Grace showed up too, spurring a Jefferson Airplane reunion the following year, with Grace, Paul, Marty, Jorma, and Jack heading out on (a well-received) tour and making one album that even the band isn't proud of. It's their friggin' hit single! Then again, Cassidy's elephant-herd-like-bass sort of compensates for that. Throughout all of this, there is another musical drama going on, giving further meaning to the words.
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The ballads ('Martha') don't hold a candle to Marty's far superior ones, and all of these songs are spiced with ridiculous sound effects, bombastic production values, cacophonic screaming and shouting and all the attributes of unlimited psychedelia. But the real gem is the instrumental 'Wild Turkey', where Kaukonen gets to perform a raw, fiery duel with Papa John Creach's violin, and it's one of those cases of 'instrument dialogues' that leaves me breathless at the end. Spent time in the hayloft with the mice and the bunnies. Beyond “White Rabbit”: Why Jefferson Airplane were one of psychedelic rock’s greatest bands. Grace is still riding her old war horse, and if the two numbers she got to compose on here, 'Lather' and 'Greasy Heart', cannot boast really strong melodies, she still pulls them off splendidly just by the power of her voice. It's also kind of the conclusion of their psychedelic era, the culmination of everything that Surrealistic Pillow and Baxter's had been building towards.
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D-12--12/------\--7---7-7-|------------------|----------7---7/9\|7---| a-------------------9-----|------------------|------------9-----|--7-| E-------------------------|------------------|------------------|----|. Around the time was Grace was topping the charts, Paul, Marty and Jack reunited in the short-lived KBC Band (aka The Kantner Balin Casady Band). Back to the call-to-arms sound for the next verse, with Jorma's wicked guitar sounds giving voice to the "forces of chaos and anarchy. I loved Take Off, with quite a lot of lovely Balin compositions. However, it's also possible to get used to this thing, unless you have a really huge bone to pick with Marty's bleating. Despite creative differences, Jorma and Jack did tend to contribute to one or two songs each on those Planet Earth albums. ) Maybe Jefferson Airplane would be less overlooked today if they'd given the world another "White Rabbit, " but in 1967, they had no intention of doing so. Not the best one on here, though; Jorma was clearly more in Hot Tuna at the time, and it shows. Notice that the music here is relaxed and warm, and that these opening words could be about nothing more than a traditional romance between man and woman. From humble roots to the thrilling creative differences that ultimately split up the band, there's a whole lot to like on either side of "White Rabbit, " and you can spend a lifetime diving into their music and still discover something new every time. Lyrics for We Can Be Together by Jefferson Airplane - Songfacts. What does matter is Jorma's versatility and ability to shift from scary isolated minimalistic notes to all-out electric hell (by the Airplane's measures, of course) - besides, his exaggerated "blues accent" ('ah wonchooo to rock me beibeeeooouu! ') The album's most accessible song is "Martha, " a Paul Kantner-written/sung psychedelic folk rock song that was just as woozy as "Today" but with a firmer, faster backbeat. By the end of 1969, the hippie era as we knew it would be done, and Jefferson Airplane as we knew them would be done too. Come to think of it, 'It's My Life' was a song in its own right, done by the Animals a year before.
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None of the other songs even comes close to these two absolute masterpieces, of course, but most of them are still good enough to guarantee the record a solid 10. If Jefferson Airplane come up in the context of today's musical discourse, which doesn't happen often, they're usually seen as baby boomer relics with a couple enduring radio hits ("White Rabbit" and "Somebody to Love"). All your private property is target for your enemy. Grace used to pen spirit-lifting, raging material like 'Somebody To Love' - where is it gone? Why she decided to quit is way beyond me: her voice, although not as eccentric or acid-tinged as Slick's, is quite mighty. If you are not, please consult the guidelines for sending your comments before doing so. We should be together jefferson airplane lyrics volunteers. Fork tongue talking from me. Sheets and a pillow.
Surrealistic Pillow is quite 'serious': a mature, full-blown 'psychedelic' album with a band clearly writing music for the soul, not for the body. READER COMMENTS SECTION. Still, as with Bark, the tense sessions still managed to produce worthwhile songs. The next year, Grace Slick released her solo album Manhole, featuring many of the same musicians. We should be together jefferson airplane lyrics count on me. And I don't think I'll be interested in assimilating any of their Starship records any time soon; so let this be the end of my reviews. I don't even remember the names of the two other tracks, one was some dreary Kantner ballad, I seem to recall, but... ah hell. This is the last good album they ever did, anyway.