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It's sometimes easy to forget that this classic melodrama, starring a tremendous Bette Davis as a headstrong woman in antebellum New Orleans and a brooding Henry Fonda as her straight-arrow paramour, actually becomes a story about a yellow-fever epidemic. So get ready to sing, but also to cry. These workers — usually women and people of color — have jobs which have been designated as essential. Ewan McGregor plays a philandering chef and Eva Green the beautiful epidemiologist who lives next door to his restaurant. Like the protagonist at the start of 28 days later crossword clue. The American remake Quarantine is, surprisingly, also extremely good. Season of the Witch.
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Much of the film is shot in night vision, helping you to feel even more immersed in the horrors leaping from the shadows. Those in the streets protesting our nation's murderous and militarized police are leading the way. "The people must defend themselves, " Salvador Allende counseled the Chilean people in his farewell address, "but they must not sacrifice themselves… Go forward knowing that, sooner rather than later, the great avenues will open again where free [people] will walk to build a better society. "28 Days Later" is a tough, smart, ingenious movie that leads its characters into situations where everything depends on their (and our) understanding of human nature. Panic in the Streets. But we should not despair that they ignore and overlook us. Confined to the relative comforts of our own homes, isolated individuals are turning to their streaming services for some iota of connection in a socially distanced world. Terry Gilliam directed this sci-fi film about a man who is sent back in time from the year 2035 to stop a pandemic that will wipe out most of the world's population and force the survivors to live underground, a disaster that will begin in 1996. Two hip sisters who survived both those calamities roam through a postapocalyptic Los Angeles in this delightfully stylized time capsule that's more John Hughes than George Romero. To find a heroic crowd intervention on the big screen, we must look to a slightly different genre: 2002's Spider-Man, which was rewritten and reshot after 9/11 to marshal the pseudo-solidarity of the day. For your thinkier art-house undead fans. Like the protagonist at the start of 28 days lateral. That's what happens in the appropriately titled Blindness. The Puppet Masters (1994).
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There is also a touching scene where she offers Valium to young Hannah. While humanity is being brought to its knees by a rapidly spreading infection, we only experience the crisis through the perspective of an Ontario radio disc jockey who is receiving sporadic reports of the mayhem outside. Like the protagonist at the start of 28 days laser.com. The coronavirus has officially forced much of the world into voluntary or involuntary quarantine. Eventually they encounter two other survivors: A big, genial man named Frank (Brendan Gleeson) and his teenage daughter Hannah (Megan Burns). Two survivors spell out a message using sewn-together bedsheets on a bucolic green field: HELL, it reads, as they race to add an O before the jet passes overhead.
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This French-Canadian zombie movie is another artful zom-drama entry that really emphasizes the emotional toll of survival, and even includes a large, mysterious tower made of chairs that draws the zombies to it. Yet these actions always take place in the shadow of a threatening horde. The army imposes martial law and intends on bombing the town to preserve its biological weapon. While the zombies clearly have some significant intellectual limitations (for example, they struggle with both language and doorknobs), the horde has something that other disaster movies' dimwits and weaklings do not: collective power. The contagion has gone beyond the farmhouse of the first film, and it's taking over the entire U.
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In Maggie, a pandemic known as Necroambulism is just barely under government control, and society is limping its way back to life as the infected are put into quarantine. The Girl With All the Gifts. A woman lives in isolation after losing her daughter and husband and is buried under the guilt of surviving without them, but her life changes when she meets a teen girl and her stepdad. They sell billion-euro tickets to spaceship-sized arks, making room for the Mona Lisa and other valuable works — but not for the workers who built the ships.
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You could watch a lot of "of the Dead" movies, but we recommend Romero's sequel to his formative zombie classic. Alex Garland's screenplay develops characters who seem to have a reality apart from their role in the plot--whose personalities help decide what they do, and why. When the base is overrun, though, a group of survivors are flung out into the landscape and their survival will dictate who inherits the Earth. It has become cliché to call health care workers our "heroes, " but by invoking the precise label that we give to those we are sending off to die in war, at least we are being honest. Witness this early talkie, based on Sinclair Lewis's Pulitzer Prize–winning 1925 novel, which tells the story of an ambitious research scientist who becomes a country doctor to be with the girl of his dreams, then makes a medical breakthrough that eventually leads him to the West Indies to combat a devastating outbreak of bubonic plague. The broadcast reminded me of that forlorn radio signal from the Northern Hemisphere that was picked up in post-A-bomb Australia in "On the Beach. " In that spirit, Vulture has assembled a list of contagion movies you can watch to either ease your worries or willfully exacerbate them, broken down by category for ease of use: Classic Contagion. The catastrophes portended by the neoliberal cinematic imagination — taking shape before our eyes today — can still be averted. And watching the city's officials and medical professionals work together, doing all they can to vaccinate 8 million people … it all feels like a sick joke in today's reality. The Zombies Are Coming.
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It's not so much a plague movie as it is a family drama, centering on a dry goods' shop owner and his extended family, including his wife's teenage fuck-up brother, played by a young Matthew Broderick. Selena becomes the dominant member of the group, the toughest and least sentimental, enforcing a hard-boiled survivalist line. Virus is a Japanese movie that goes where more contagion movies should: Antarctica. The Resident movies will provide hours of quarantine entertainment on their own, beginning with the humble first film in which we meet our heroine, Alice, and get acquainted with the T-virus that has obliterated humanity thanks to a break in containment at the evil Umbrella corporation. The Masque of the Red Death. In Paul Verhoeven's ridiculously sleazy and disturbing 1985 medieval epic, Rutger Hauer leads a group of mercenaries and captives (among them Jennifer Jason Leigh) into a castle infected with bubonic plague. We may feel some anguish over what happens to the peripheral people, but as a rule, disaster movies convey the idea that they do not matter: they are just faces in the crowd. In this most melancholy and romantic of pandemic movies, a disease is slowly robbing humanity of its senses, one by one, with each loss being accompanied by an out-of-control emotion: When you lose your sense of smell, for example, you overload on grief. As the floodwaters rise, a crowd begs for passage, but those on board pull up the ladders. That one, the movie doesn't have an answer for.
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World War Z. Brad Pitt and Mireille Enos star in this epic contagion movie that features maybe the largest mass of sprinting zombies ever put on screen. The bourgeoisie has finally conjured its own — and unfortunately, everyone else's — gravediggers. To capital, workers are only essential insofar as they serve to support the existence of the real protagonists and generate profits through their labor. Not that we are thinking much about evolution during the movie's engrossing central passages. Here Alone is another emo-zombie movie that's more about melancholy than it is the terrors of the blood thirsty undead. This grotesquely violent and gruesome adventure was supposed to be Dutch wunderkind Verhoeven's big splash into English-language filmmaking; audiences ran screaming, but it has since become a big cult item.
Scrambling to maintain their own race and class position, they planned to shove service workers towards the infection, below the flood, into the fire. The Weaklings and the Rubes. Now streaming on: Activists set lab animals free from their cages--only to learn, too late, that they're infected with a "rage" virus that turns them into frothing, savage killers. The one in Weimar has a zero-tolerance, shoot-on-site policy against the infected, and two women who have hit their limit with the brutality set out to reach the other safe haven in Jena, where the undead are captured and those inside are working toward a cure. Two years after a zombiepocalypse has all but wiped out civilization, only two outposts of humanity remain. Edgar Allan Poe's short story — about a prince and other nobles holing themselves away in an abbey to avoid the Black Plague and then holding a masquerade ball into which the figure of Death slips — gets the loose, over-the-top Roger Corman treatment. Available on iTunes and Shudder. Naomie Harris, a newcomer, is convincing as Selena, the rock at the center of the storm.
Available on YouTube and Google Play. This 1926 classic from filmmaker F. W. Murnau is one of the great early horror films. One example is Outbreak (1995), which opens with an Ebola-like illness tearing through a guerilla army camp in Zaire in 1967. Black victims of police murder are often killed several times — their bodies left in the street for hours, their names dragged through the mud of racist propaganda and media speculation that seeks to blame them for being killed. When Frank, a taxi driver and protective father, is accidentally infected, he quickly tells his teenage daughter that he loves her — and then demands she keep away from him, his words contorting to animalistic snarls. This minor flirtation with collective action did not last: in 2018's Avengers: Infinity War, half of all existence is simply erased by a snap of Thanos' fingers. Darwinians will observe that a virus that acts within 20 seconds will not be an efficient survivor; the host population will soon be dead--and along with it, the virus. Just as in our disaster movies, the politics of the last few decades has offered little room in the frame for the crowd.