Both are the creation of Dan Campbell - best known as the vocalist of Philadelphia band, The Wonder Years - and the story will continue to unfold with "Routine Maintenance", the second full-length album from Aaron West and The Roaring Twenties, out May 10th on Hopeless Records. It is that which strikes me as the most difficult thing: West pulling his funeral out of his dream-world and making it an inevitability. We Don't Have Each Other was released in 2014, Bittersweet, an EP, was released in 2016, and now this album. It is why his approach to Aaron West is so meticulous, with each character — mothers, fathers, and ex-wives — having their own story to weave into the grander narrative of West. The album opens with "Lead Paint & Salt Air" where we find West painting houses in Asbury, content with the fact that he's taken up smoking again — a habit he was trying to kick when we were introduced to West on the first album. This was Aaron West, alone on stage with an acoustic guitar and a few bright lights, telling his story. Before the show, I found Campbell hanging out near his merch table, posing for photos and signing anything tossed in front of him, a fact I know because I tossed the Aaron West Vinyl in front of him. It is described as a concept album detailing the 'worst year of a mans life'. In the sold-out Studio at Webster Hall, where space is limited, the band works together seamlessly, even when Campbell shakes off the somber persona and slips, in moments, back into some of his Wonder Years-like showmanship. That said, the entire evening wasn't all doom and gloom: a couple got on stage for the man to propose to a girl (she said yes, btw), to which West said, ""Have you even listened to the record, man? " The Aaron West Universe is cinematic in nature and relies on a listener immersing themselves in all of the songs, chronologically. As leader of the pop-punk troupe, Campbell, known as 'Soupy' to most, completed a trilogy of 'albums about growing up' last year with The Greatest Generation.
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This album is more than just a story and if you're ready to take the journey, this record's for you. At the end of a song, the character can vanish, even if the character is yourself. — Matthew Ardill, Comedy Album Book Club Podcast. Original shipping and handling charges are not refundable, and you will be responsible for all costs associated with return shipment. Weiss has slipped through my attention for several years; not because I didn't want to listen to her, but I always had something else to do. And, even in the days or weeks or months after that moment, your own pain becomes your own responsibility. Campbell's lyrics are the driving force of the record, married to a searing acoustic punk soundtrack on 'Runnin' Scared' (which features arguably the best chorus he's ever written), and ensuring that the gut-wrenching penultimate track 'You Ain't No Saint' is an album highlight. One facing the doorway to make sure we had enough food, stuff like that. To see Aaron West and the Roaring Twenties in person is a master class in an artist making a moment bend to them instead of bending to the moment. But not the overarching nature of it that is sometimes glossed over in movies and, yes, in songs. Album Review: Aaron West and the Roaring Twenties – We Don't Have Each Other Music Blogs by 957thespin - November 20, 2020 December 1, 2020 0 When I first listened to this album I thought it had a very early 2000s alternative sound with its more harsh vibe and tone. As someone who only ever really got to see larger acts in stadium type tours before, it was so cool to see one of my favourite bands in such an intimate setting. Campbell detailed a concept album called We Don't Have Each Other, which follows the story of a man named Aaron West who, as Campbell puts it, is having a bad year.
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He was wearing a different shirt than I had seen him in earlier, and possibly wearing a very, very realistic fake beard (I say that because I met him earlier in the night and would swear to the Jeezy Creezy his beard wasn't that long, but I'm half-a-creep as well, so take that with some healthy skepticism). With this in mind, Aaron West seems like a leap that should be simple, but it is an entirely different process and approach. At the end of "Atlantic City, " everything is pretty much as fucked up as it was when the song starts.
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It always blew my mind that there was a specific amount, not nine, or 269, but 10. It's easy to miss if you're not looking for it, and with so much traffic and congestion, the area can get dirty very quickly. I knew that Aaron West was a passion project for Campbell, but until I saw his blistering set at the Subterranean in Chicago, I had no idea that listening to the record was only half of the story. The character can move on to another set of feelings, or another scenario with very little, if any, recall back to past themes. It seemed clear that their debut album had been out for less than a month by the people singing along, but for a band taking the stage at 6:30 (I know, right?
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Out July 8 via Hopeless Records, Campbell's first solo effort takes on a more folksy soundscape compared to The Wonder Years' "realist pop-punk. " The song ends on a haunting and painful image: West recounting a dream that he had about dying in a plane crash during a trip back north to see her. The theme of longing for a distant parental connection and the theme of longing for a life with someone even when you know the love has run out blend together and form a single, common thread that hums along underneath each song, heartbreakingly. Overnight Shipping: allow 1-2 business days for delivery. Between songs, a twitchy, Aaron would explain the storyline, where he was geographically and what was going through his head before each song. All returns must be accompanied by a valid return authorization number (RMA) issued by Victrola. It won't be this bleak forever... What doesn't get lost in this project is Campbell's ability to sit inside the interior of a moment and archive all of its moving parts.
Other nights, it's loud, bombastic and joyous. For Dan Campbell, Wonder Years frontman and that character's creator, this is probably his most liberating musical statement to date. Orders Over $50 SHIP FREE Within The Continental U. S. We Buy Record Collections. Now you can hear the first song from We Don't Have Each Other, called "You Ain't No Saint, " and read the first interview with Campbell regarding his solo project exclusively on –check them out below!
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