Black modernism became a transnational formation during the 1940s in an era of anticolonial upheaval that witnessed the demise of the imperial world order. This course will also introduce the traditions of relief printmaking and its present day interdisciplinary potential. "Intro: Contact Improvisation". Together, we will ask difficult and probing questions about this phenomenon called the 'AIDS epidemic, ' examining the role of art in frontline activism, the ethics of AIDS historiography, mainstream visions of the AIDS body, and the need for a diversity of AIDS narratives. We will consider the role major international and perennial art exhibitions--such as Documenta in Germany and the Venice Biennale in Italy--have played in the reconceptualization of the field of contemporary art, as well as other institutions of art confronting new waves of fascism in Europe. ARTH 570 SEM Image-making, Orientalism and Visual Culture. ARTH 102 (S) CON Art and Architecture from the Age of Enlightenment to the Present. The latter half of the course will be driven by considerations of these themes in relation to student and workers movements of 1968, and contemporary forms of globalization and pluralist subjectivities. Special topics will include: the place of work in conceptions of a "golden age"; the literary topoi of work (like the idle shepherd or the virtuous peasant); representations of "heroic work" (most famously, the Labors of Hercules); the elision or erasure of non-elite labor for elite audiences in art and text; the iconography of work in painting, mosaic, and sculpture; and investigations into specific trades, crafts, and other forms of "making" (from midwifery to shoe making). As scholars have argued, where "nature" connotes that which is monolithic, ahistorical, and apart from humans, ecology reveals a situated and specific web of relationships, interdependencies, and power in which we are all implicated. Absolute beginners can expect to refine their hand, expand their vocabulary of studio skills, gain deeper appreciation of materials, and learn how to plan and discuss their creative vision. On a deeper level, I see this repeating trend of women who struggle with body image and understand what health means for them.
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In this time of extreme material production and consumption, with a great deal being thrown out and unrecoverable, how can we make intentional, creative meaning from what is around us? In this tutorial, we will examine the use of narrative in a range of fine art practices, which could include painting, drawing, video, sculpture, installation, public art, and sound art. This is a Renaissance course that explores topics fundamental to the broader history of art, and one that ranges widely in focus from the theoretical to the concrete. From the Swahili stone houses of East Africa to the massive earth and timber mosques of the Sahel, the story of Islam in Africa is one of cultural and spiritual hybridity expressed through material form. ARTS 223 STU Fresco Mural. Mughals established a centralized administration with a vast complex of personnel, money and information networks. To expand our horizon of what is possible and embark on an embodied journey within the spirit of co-creation. The course does not simply focus on artistic production, but also contextualizes these topics in light of emergent theorizations and readings on femininity, feminism, and the sexual politics of representation.
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The syllabus will cover the historical and social contexts in which they started working, and how they followed, and departed from, artistic conventions of the time. What will reveal itself under the surface of a trigger? ARTS 337 STU This Is An Experiment! Possible authors include Arendt, Bal, Belting, Benjamin, Browne, Buck-Morss, Butler, Campt, Clark, Crary, Debord, Deleuze, Fanon, Foucault, Freedberg, Hobbes, Kittler, Mercer, Mitchell, Mulvey, Plato, Rancière, Scott, Sexton, Starr, Virilio, Warburg, and Zeki. Michelangelo is a towering archetype of the autonomous artistic self: the distinctive personality who telegraphs individual beliefs, feelings, and desires through the creative act. We hide not only to others but to ourselves what we really feel, who we really are and what is really going on. Building on existing exchanges between disciplines--from feminist thought, queer theory, disability studies, visual and media studies--this hybrid studio and critical theory course presents contemporary art as a field uniquely suited to imagine alternative structures of institutional support and mutual aid. How does the art form reflect the particular cultural values of its time? We will be integrating the study of a variety of artists whose work utilizes objects in their sculpture such as the work of: Jean Shin, Marcel Broodthaers, Dario Robletto, Doris Salcedo, Robert Gober, among others. ARTH 278 LEC The Golden Road to Samarqand. "People advised me not to show the penis. We cover historical periods from the 10th century to the present day and discuss both traditional and nontraditional media including painting, sculpture, photography, and embroidery. These techniques may include linocut, woodcut, collograph, intaglio, monotype, and book structures. ARTH 536 SEM Charles and Maurice Prendergrast in WCMA Collections.
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Readings will be drawn from ancient philosophy, current science, art history, the history of science, and other fields, to engage the following questions: how did the existence of difference in the organic world--gender difference broadly but also more specifically racial difference in the human species--motivate Darwin's theory of an "aesthetic evolution" driven by animal and human perception of visual beauty? You can make your booking for the week here: Kientalerhof. She's driven by a deep love and hunger for nourishing, sustainable relationships. Then we'll move through progressively more public visual media of the 17th through 21st centuries: Kanô screen painting; nô, kabuki, and puppet theater; premodern architecture; popular woodblock prints; turn-of-the-century photography; and finally some examples of contemporary popular culture like comics, animation, and/or film. From ritual costumes, to Carnival, to Dada performance, to Bauhaus dance, to Helio Oiticica's Parangole, and Nick Cave's sound-suits, there has been a rich tradition where sculpture and costumes merge. "A happy bowel is a happy life. " The result is a series of images that replicate the novel's key carnal moments: the long-suffering, though apparently serene Roberte, her skirt unaccountably ablaze, is swiftly un-dressed by a mysterious male figure. ARTH 542 SEM Insubordinate Bodies: The Body in Conceptual Art in Latin America, 1960-1980. In this micro-Festival you will experience and learn…. Paul Buck and Catherine Petit, Black Dog, London, 2002, p. 127. A revolutionary reality dreamed up and brought to life by the parents and loving adults within the Embodied Intimacy tribe.
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From colonial-era propaganda newsreels about Africa's 'fighting men' to contemporary white-savior narratives that exploit current socio-political ruptures on the continent for epic effect, films about Africa produced by a primarily Western cinematic regime have proven themselves to be highly effective apparatuses for framing "Africa" as a concept to be summoned time and time again to tell different stories for different audiences, and in doing so privilege particular viewpoints and imaginaries. Topics of discussion may include: the foundation of the college and displacement of native populations; buildings, objects, and monuments linked to Williams' evangelical history and the role of missionaries in American imperialism; the symbolic meaning of the varied architectural styles at the college; and the visibility/invisibility of the college's relationship to slavery and Abolitionism. Focusing on art, performance, and film, we will examine the architectural, discursive, and cultural spaces in which these forms of creative and political expression take shape--from art museums and theater houses to occupied buildings, from independent publishing imprints and collaborative nonprofit organizations to night clubs. The class will learn from studying a selection of original masterworks of Indian art from the Williams College Museum of Art that will be displayed in the Object Lab. Original literature in translation and recent scholarly essays will help provide the framework for considering the artworks from the perspective of their patrons, creators and audiences. ARTH 589 (S) SEM Imitation, Copy, Reproduction. In this course students will work as teams to identify and propose objects for addition to the collection of the Williams College Museum of Art (WCMA). In this graduate Proseminar on Research and Method, we will read a number of texts that form the foundation of art history as a discipline, including the writings of Plato, Panofsky, Lessing, Heidegger, Wölfflin, and Barthes (among others). We will take as case studies the work of artists such as Francis Alÿs, Xu Bing, Sue Coe, Coco Fusco, Pierre Huyghe, Jochen Lempert, Chris Marker, and Lin May Saeed, among others.
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This class is a hands-on studio class with weekly assignments. Hilarious and groovy. ARTH 500 (F) SEM Clark Visiting Professor Seminar: Blackness and Abstraction. As a class, we will critically examine the role, limits, and possibilities of archives in art historical research, curatorial practice, and museum exhibitions. Her work is rooted in the Pantarei Approach, and combines various trauma informed teachings that honor and embrace the innate intelligence that lives right under our skin. A pre-temple parlour game that dares you to share your desires, your sneaky strategies and own up to what you really want. The Mughal dynasty ruled over most of northern India from the 16th to the 19th centuries. ARTH 549 SEM Art, Biology, Beauty. A number of class meetings will take place in the Chapin Library, where students will have the opportunity to study original manuscripts from the Special Collections. I have a pretty sweet setup.
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"When Eco Meets Eros". This introductory studio course focuses on the making, editing, and printing of digital photographs, with particular emphasis on understanding photography's crucial role in shaping, revising, and visualizing identities. They explore how computational concepts like recursion, state, and complexity apply to interactive experiences.
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Nele Hiller is a somatic community builder and trauma informed educator working with groups and individuals. And yet, the plague years also spawned a remarkable amount of creative and activist image-making aimed at fighting, mourning, and grappling with AIDS. This course provides technical skills associated with observational drawing, experiential moments with a variety of materials, and the opportunity for self expression and the communication of ideas. We will study these works against the grain, considering how art history is currently transforming under the fields of ecology, disability studies, queer theory, and radical black feminism. ARTS 369 STU QUILTY! How can silence change our relationship to time? Some, such as historical consciousness and the relationship to the past, or the reinvention of the idea of the artist and of art itself, will be important as we construct a critical understanding of the idea of "renaissance, " or "rebirth, " long central to the identity of the period.
Emphasis will be on folding this individual work process into a larger group collaboration by refining methods of communication, presentation, and group critique. Pam Grier kicking the underworld's ass, all the while being sexy AND bad, but most people won't get it. In addition to film, Lehman also considers such varied material as Jim Thompson's noir novel The Nothing Man, sexology and medical representations of male sexuality, the video Dick Talk, penis jokes in Hollywood films of the 1970s and 1980s, and popular music by Roy Orbison. ARTH 422 SEM Art, Architecture, and Poetry: Islamic Devotional Culture in South Asia. In addition to key paintings including Velázquez's "Las Meninas" and other royal portraits, Goya's "Maja Desnuda" and his series "The Disasters of War, " Picasso's "Guernica, " and his own 20th century reinterpretation of "Las Meninas, " we will focus on the artists' shared subjects of portraits and war, and consider the following issues: How does the role of the Spanish artist change over the periods covered?
Artistic expression, regional politics and cultural landscapes have been shaped by its remarkable influence. In this capstone class for studio art majors, students define, research, create and present an original body of work which will be exhibited.
Three-hundred sixty-five days. Well I'ma be there when the time come. When I forget to pray to God sometimes. Please check the box below to regain access to. Listen below, share and enjoy good music! I'm just a friend, you know how I kick it with my hittas.
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Babygirl, I need the rest of you. I signed a deal I made more than a mill. Sicko I keep a glick. I'm the best you ever had and that's for certain. Goin' down yo 'Gram damn I miss you. Popped a Perc' I can't relapse. Hope you, don't think the money changin' me. Love and War by Yellow Claw. When we catch that nigga in person he be stutterin' get to talkin' quick. Good girl turned bad to the world. Know I'd prolly feel better if they all be dead. City Of Love [LETRA] Toosii Lyrics. Gotta make sure you get you a phone on the inside so you can watch it when I'm big. F*ck that bitch ain't never seen her. Bang, I'ma dunk like Luol Deng.
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You cut all of the lights out. Know the G Code, shh, or you ain't gon' get the cookies. My whole click be demons I be ridin' with some bangas. Them bars you know, behind that cell.
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Girl you know they out for my top. They told me get a job, I got money now they wanna ride. And I get it, I know, I'm misunderstood. I ain't Fivi but I can tell you that she a wetty. And she love when I'm in socks 'cause she know I do my thing. TOOSII - Love Me Easy Chords and Tabs for Guitar and Piano. Get the drop and let off shots, he get shot from all angles. Heartaches is really a great track by Toosii if you like this Heartaches song please share this song lyrics with your friend circle to support Toosii. I be everything they not, you done fell in love with a hard knock nigga.
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Inside, you can let me inside let you know when yo ride come. Sometimes she wish she was basic, but she ain't basic. Bet when I'm inside it, won't treat it like she a rookie. Uh, I can be your savior.
5% my tint, I ain't even go to college. So I'll see ya' when I get off the block. Take my dick, yo pussy I'm slappin' it. Kinda wish nobody ain't hit yet. The average tempo is 80 BPM. I'm tryna plant a seed. Put fifty, we double it up. Should've knew what it was when you told me you was leavin'. I might leave everybody 'lone, I be makin' too much time. And I ain't from Milwaukee.
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