Nation of Islam Minister Conrad Muhammed (Smith in a red bow tie) affirms that the Jewish Holocaust was nothing compared with 200 million people killed on slave ships over a 300-year period. "When Art Meets Journalism, " in Time, Vol. Fires in the Mirror Summary & Study Guide includes comprehensive information and analysis to help you understand the book. Robert Sherman then contends that the English language is insufficient for describing and understanding race relations.
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Fires In The Mirror Summary
Although twenty police officers were injured, the police were somewhat restrained in their response, partly because of sensitivity at the time due to the recent brutal beating of Rodney King by police officers in Los Angeles, which was caught on videotape and broadcast throughout the nation. It was the usual display of egotism, ecstasy, and entropy. As Professor Bernstein stresses, a "simple mirror is just a flat / reflecting / substance, " although "the notion of distortion also goes back into literature. " Reinelt, Janelle, "Performing Race: Anna Deavere Smith's Fires in the Mirror, " in Modern Drama, Vol. On August 19, 1991, a car driven by Grand Rebbe Schneerson's bodyguard, Yosef Lifsh, ran a red light, was hit by another car, and jumped a curb onto the sidewalk where Lifsh ran over a seven-year-old black child named Gavin Cato. After you claim a section you'll have 24 hours to send in a draft. Important quotes from the play deal with the event itself, the perceptions of the residents, the impact on the community, and the nature of racism and hated in general. Jewish characters such as Rabbi Joseph Spielman, Michael Miller, and Reuven Ostrov do not acknowledge any community ties with blacks and identify black anti-Semitism with historic anti-Jewish massacres in Germany and Russia. On the other hand, when it came to discussing identity, numerous members of both the Jewish and black community, stated that feeling like they were fitting in their community contributed to their identity and how they viewed it from a self-perspective. Are we to take Anna Deavere Smith's productions on their referential vector, as referring to racial tension in Crown Heights and South Central, or solipsistically as instances of the performance of identity and selfhood?
Fires In The Mirror Film
Smith is associate professor of drama at Stanford and a Bunting Fellow at Harvard. Yankel Rosenbaum's brother, Norman Rosenbaum is a barrister from Australia who is angry and upset about his brother's death. He was hit by the police and handcuffed, then threatened by a young black man with a handgun. Each scene is drawn verbatim from an interview that Smith has held with the character, although Smith has arranged the subject's words according to her authorial purposes. Among these is Fires in the Mirror, a one-woman evening conceived, written, and performed by Anna Deavere Smith at the Joseph Papp Public Theater.
Fires In The Mirror Play Summary
It has also been charged with the added burden of keeping millions of television viewers glued to their screens every spring for an evening of awards. Significantly, three of the four nominated musicals were set in the city, and the fourth—Jelly's Last Jam—had New York scenes. In "Rain, " Reverend Al Sharpton discusses why he went to Israel to pursue legal action against the driver who killed Gavin Cato. Donning a variety of hats, caps, yarmulkes, cloaks, and accents, she manages to move easily among a large number of people from vastly different backgrounds and temperaments. Throughout Fires in the Mirror, Smith considers how people construct their notions of selfhood, particularly how they see themselves in relation to their community and race. Seeing Smith's work performed by others sheds new light on the issue. He says, "Okay, so a mirror is something that reflects light/It's the simplest instrument to understand. " How do you think your view of the events would be different if you had not seen Smith's play, but had only encountered the situation in the media? Physicists make telescopes with mirrors as large as possible in order to minimize the "circle of confusion. Glenn Close, functioning as hostess for the event, even felt obliged to remind the glittering Minskoff audience that "many of the most famous musicals came from plays. " Sonny Carson, for example, looks to redress racial injustice by working as an agitator. He "smiles frequently, " and he is "upbeat, impassioned… Full. Rain – Al Sharpton talks about trying to sue the driver who hit Gavin Cato, and complains about bias in the judicial system and the media. Smith attended Beaver College, outside of Philadelphia, from 1967 to 1971, and after graduating she became interested in the Black Power movement, moving to San Francisco, in part to participate in social and political agitation.
Fires In The Mirror Review
Angela Davis is the speaker in the only scene in the section "Race. " Most characters however, Jewish and black, do not feel any kind of Crown Heights solidarity, and see themselves as entirely separate racial groups according to the traditional European concept. Early on in the play, therefore, Smith throws into doubt the idea that identity is a unique series of individual traits that do not change based on one's surroundings or relationships to other people. The ensuing scenes continue to provide insights into what identity actually is and how people develop a racial self-consciousness.
Smith describes her as "Direct, passionate, confident, lots of volume, " and it is also apparent from Pogrebin's lines that she is self-confident and eloquent. He then claims, however, that there is no way the Jews can "overpower" him since he is "special, " having been a breech birth (born feet first). Without an understanding of the complex interrelations of their identities and their common bonds, racial groups in close proximity, such as the blacks and Jews in Crown Heights, are able to focus all of their rage and anger on each other, and violence inevitably follows. On Broadway, Shakespeare is sanctioned for providing the inspiration for Kiss Me Kate and Shaw for contributing the book to My Fair Lady. Smith has also acted in television shows, including The West Wing, and movies, including The American President (1995). The play is a series of monologues based on interviews conducted by Smith with people involved in the Crown Heights crisis, both directly and as observers and commentators. Fri, April 16 @ 7:30pm. Angela Davis, for example, stresses that race is a flexible and even arbitrary construction, in her scene "Rope. " Wa Wa Wa – Anonymous Young Man #1 explains his view on the differences of police contact with the Jewish and Black communities, and how he thinks there is no justice for blacks as Jews are never arrested.
Fires In The Mirror Quotes
It won for Best Revival. ) A Raisin in the Sun. Arguing that the traditional concept of race is an outmoded notion constructed by European colonists attempting to conquer and colonize the world, she stresses that Europeans divided the populations of the earth into "firm biological, uh, / communities" in order to divide and dominate others. On the suspended brick facades are white paint patches smudged in muddy colors. Her way of working is less like that of a conventional Euro-American actor and more like that of African, Native American, and Asian ritualists. The book emphasizes that Kunta never lost his pride and connection to his African heritage. From the many perspectives in Smith's play, the reader is able to piece together a representative variety of emotions that blacks and Lubavitcher Jews felt toward each other.
Inter-Community Relations. Beyond the sociopolitical thematics of her work, Smith has been incorporated into public discourses on race because her dramaturgical techniques have aligned her with other types of public discourses such as oral histories, documentary reponage, television talk shows, and network news broadcasts. Sat, April 24 @ 7:30pm (live and live streamed). Wigs – Rivkah Siegal discusses the difficulty behind the custom of wearing wigs. The pastor of St. Mark's Church in Crown Heights, Reverend Sam gives his version of the events in Crown Heights. Sixteen Hours Difference – Norman Rosenbaum talks about first hearing the news of his brother's death. The characters in these scenes vary widely in their opinions about the themes of the play, based on their backgrounds, personalities, politics, and ties to the situation.
One event took place on the east coast, the other on the west coast, and her first performances of the respective plays opened in the geographic location of these events within a year of their origin. Look in the Mirror – An anonymous girl talks about how racial identity is extremely important in her school and the girls act, dress, and wear their hair according to the racial groups. From anonymous young men and women, to well-known leaders like Al Sharpton, to middle-aged Lubavitcher housewives, characters reveal a struggle to establish their personal identities and to negotiate how they fit into their religious and racial communities. Performance Schedule: Fri, March 26 @ 7:30pm.
How was this format helpful for exploring your issue? They are also something of an embarrassment, considering how few serious plays actually open on Broadway each season. What is your subject's place in twentieth-century race relations? 168, April 30, 1993, p. 44. Smith's shamanic invocation is her ability to bring into existence the wondrous "doubling" that marks great performances. Describe what you learned about your topic and how this method helped you do so. Rabbi Joseph Spielman sadly describes how, though Gavin Cato was killed through no malicious intent, angry blacks began running through the streets, shouting for Jewish blood. Describe Smith's place in the journalistic community and in the contemporary dramatic scene. The Lubavitcher community filed a lawsuit against Dinkins and his administration, criticizing their mishandling of the riots, and Dinkins's unpopularity among Jews was a major factor in his loss to Rudolph Giuliani in the 1993 mayoral elections. "A very handsome Carribbean American man with dreadlocks, " the anonymous young man of the scene "Wa Wa Wa" insists that the police unjustly favor Jews over blacks.
"Identity" is the first word in the play, after Ntozake Shange's introductory "Hummmm. " This European concept of racial identity is meaningful only through a differentiation from other races. Lemrick Nelson, Jr. was acquitted of second-degree murder charges; Yosef Lifsh was not indicted for the death of Gavin Cato. The final section of the play begins with Rabbi Joseph Spielman, who gives his versions of the accident that killed Gavin Cato and of the stabbing of Yankel Rosenbaum, stressing that the black community lied about the events in order to start anti-Semitic riots. The anonymous girl of "Look in the Mirror" is a "Junior high school black girl of Haitian descent" who lives near Crown Heights. Smug and self-satisfied, Sonny Carson warns of another "long hot summer, " and Sharpton, flying to Israel in a media-savvy effort to arrest the driver of the car that struck Cato, announces, "If you piss in my face I'm gonna call it piss, I'm not gonna call it rain. " A few minutes later television time, Carmel Cato, from the same Crown Heights, Brooklyn, neighborhood as Malamud, but a world away, his voice roundly "black" in its tones, talks through tears about how a car slammed into his daughter, Angela, and his seven-year-old son, Gavin, killing him. That evening, a group of young black men stabbed and killed a Hasidic scholar from Australia named Yankel Rosenbaum.
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