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Another request is Too much love will kill you, both versions, I just love the passion in them. The BoRap on QGVH1 was excellent, somore of the same please, and no skimping on some of the desk settings! Not only am I a great Queen fan, but I have also just begun to learn the guitar, and I find it so wonderful that a great personality as yourself wants to be in so close contact with his fans. Have you seeing double... Guitar Solo tone on Queen's "I Want To Break Free. History regarding the influences that shaped you would also be very nice. On 4/4/03 11:38 pm, Jason Paris wrote: Howdy Brian, How about a demonstration. If you go through different ways of playing your licks, as you did (and do! )
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There are even the dfifferent pedals, Cornish, Fryer, Crispy Cream (whatever that is) and so on. I'm just beginning to learn guitar, and I was wondering how you get the guitar sound on the solo for "Another One Bites The Dust". On 5/4/03 1:41 am, Nick Drengenberg wrote: My suggestions/requests for Star Licks 2. First of all, a big thank you for your kind gesture of letting us fans participate in making this DVD possible!! That would all be pretty cool. I want to break free solo effect id. Hope I helped, David Byrne. Beginners to intermediates will. Newcastle, Australia. The tone in "Under Pressure" sound clean and not overdrive, like the previous two tracks we've discussed. Try as I might I can't figure it. Though the notes may be the same I can't.
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Already received tons of good suggestions! A few things that I'd love to understand better: ~ Cyborg (especially the tapping riff). Shuffles are the domain of jazz drummers. On 6/4/03 3:40. pm, Pierre Oberle wrote: It would be great to see some footage of Greg Fryer restoring the Red Special. I want to break free solo efect - Profiler related discussions. The switching takes some getting used to, but I love the parallel/series sounds I can now achieve. And of course all the obvious ones. So in this article, I'll be giving you some basic amp settings to start with to help narrow things down a bit. It is striking that this seems to walk hand in glove with the notion of deconstructing the songs, as on the Queen DVD's Burns Guitar, and amps include new Deacy amp feature, how to achieve our set up, electric, and acoustic guitars, different viewing angles – say from the top – player's eye view.
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Scroll down to learn more. Other future dreams would of course include the complete 24/16? Gimme The Prize - there so much stuff in here, the widdly guitar intro, the chuggy riff, the "bagpipes" solo. Too Much Love Will Kill You - whichever version seems best. From when the sixpence hits the string to when the soundwave hot my ears! I think I only asked about the 'candy floss' on Hammer To Fall, and the ending to Man On The Prowl. I want to break free solo effect online. On 7/4/03 5:19 pm, Paola Riccucci wrote: Dearest Dr. Baby B., first of all, THANK YOU VERY MUCH for your kind appreciation of your fans' opinions; second, THANK YOU VERY MUCH for kindly sharing with us not just your music, but also HOW you make it. But that's another story... Headlong - All of it. By Udo Lindenberg und Apache 207. Song Chord Charts: No comments yet...
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I also have your first master session DVD from 1984. Bohemian Rhapsody- Last time the solo before the opera section was done. Interesting idea and with DVD technology, could be interesting. The strings sound can be replicated with almost any decent strings patch. I want to break free solo tone - FX Discussions on. And of course the classic "Ogre Battle" is an all-time favourite. Can we have a table of RS switch settings - they still drive me nuts trying to work out what you used for what.
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"Don't Stop Me Now" features quite an overdriven guitar tone. Will be on the lookout for your update. You must think me a complete fool; the typo's are just that. With the forthcoming UK release of the Vox Deacy Amp, I wonder if you could help with a technique question.
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I have a Fender Strat a Samek & an Ibanez. If not, solve the equation: 5) Dragon attack intro. The three most important chords, built off the 1st, 4th and 5th scale degrees are all major chords (E Major, A Major, and B Major). Your comments on your move from analog effects to digital; specifically did. And second.... first thought in my mind is the incredible multilayered pieces of guitar work you did on 'Sheer Heart Attack' 'A Night at the Opera' and 'A day at the races', especially the tracks where you made your guitar sound like an. I want to break free solo effect free. Anyway, I have your Star Licks video, I really like it, but in my opinion you should try to explain a few songs from start to end, not only the main riff or the solo. It would be great if we could see your fingers clearly and hear these slowed down versions of your riffs at proper pitch and at the same time!
Thanx a lot...... Best regards..... on 4/4/03 8:38 pm, phill key wrote: Hello Dr. May, I happened to come across the post on your web site for solos and riffs. Is there something wrong with dissonants?? When The Wind Is Blowing. And something which would be interesting would be some live riffs, stuff that isn't normally played on studio song versions - eg. You'll need plenty of gain, as well as mids and bass to give you this quality. So my songs and solos would be (in no special order)... Too Much Love. I very much appreciate the time and effort you put into to keeping us all up to date with your life and your work, even when you are on the other side of the world. It is very difficult to give a one-size-fits-all amp setting preset to sound like Brian May for a couple of reasons. Innuendo - including the Spanish bit under the vocals! Thank you for making the time to read my mail. The solos in "Killer Queen" sound very melodic and smooth, and are definitely not gritty and crunchy like the tones in Queen's later songs. Aim to have the gain as low as possible before you lose the presence so that it doesn't sound too aggressive. Another, maybe not only play licks, but also entire chord patterns, and maybe some stuff that's layered, underneath other stuff.